Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
© Stacy Mehrfar

© Stacy Mehrfar

A Lunar Metaphor for Migration, Diaspora, and Disorientation

Stacy Mehrfar’s new photo book, The Moon Belongs to Everyone, is an abstract allegory for suspended identity.

The Moon Belongs To Everyone, published by GOST books takes an unexpected and highly metaphoric approach to immigration, diaspora, and cultural dislocation. Weaving through cold, blistering landscapes, found still lifes and deep dark, forest scenes, Mehrfar visualizes the experience of feeling out of place and the desire to belong and connect while mourning the loss of one’s roots.

The series responds to Mehrfar’s move, at the age of 30, from New York City to Sydney, Australia. An Iranian-Jewish woman who grew up in Long Island, she felt disrupted and out of place having never imagined living anywhere outside of New York. In search of connection, she also began interviewing and photographing other immigrants with similar experiences, ultimately making images that fall somewhere in between traditional portraiture and candid scenes – an apt metaphor for the cultural in-between.

When Mehrfar returned “home,” to New York City a few years ago, her feelings didn’t resolve - they got more complicated and her sense of rootlessness continued to splinter. Volleying detached portraits with shivering landscapes, she exacerbates this discomfort, the sensation of going in and out and never feeling at home.

Jon Feinstein in conversation with Stacy Mehrfar

Read more …
PostedMarch 15, 2021
AuthorJon Feinstein
CategoriesArtists, Galleries, interviews, Portfolio, Photobooks, Publications
TagsStacy Mehrfar, Diaspora Studies, GOST books, Jewish photographers, Jewish-Iranian photographers, Jewish-American photographers, Contemporary Landscape Photography, Contemporary Portraiture, new photography, contemporary photography, detached landscape
Seeing Being Seen: A Personal History of Photography. Cover Photo © Will Wilson

Seeing Being Seen: A Personal History of Photography. Cover Photo © Will Wilson

A Personal Memoir From One of Photography's Sharpest Shining Advocates

Michelle Dunn Marsh, one of photography's foremost champions speaks with Humble's Jon Feinstein on her new book, her love for the medium and its makers, and why visual literacy is more important now than ever before.

I first met Michelle Dunn Marsh at a random Chelsea coffee shop in NYC around 2008 when she was Aperture Foundation’s deputy director, and co-publisher of Aperture magazine. Humble's co-founder Amani Olu and I, a year into launching our platform, were Wayne's World "we're not worthy"-ing our luck in landing a meeting with her to discuss a potential collaboration. Dunn Marsh was direct, immediately inspiring, and encouraging, and made a significant mark on many aspects of Humble's vision in the years that followed.

Fast forward to 2013 and a move to Seattle. I was lucky to collaborate on many projects with her at Photographic Center Northwest, where she served as Executive Director through 2019. Michelle brings a critical and empathetic eye to photography, and her multi-decade support of its practitioners is nearly unrivaled.

Michelle's soon-to-be-published memoir Seeing Being Seen (Minor Matters Books) chronicles her life and work as a book designer, cultural producer, and publisher. Warm personal anecdotes about her experiences in the industry and working with some of photography's late and living legends direct the narrative. Punctuated by portraits of her by Stephen Shore, Larry Fink, Sylvia Plachy, Will Wilson, and Adrain Chesser, and work from her covetable, personal photography (and vintage car!) collection, it's a glimpse of her life and career over the past 25+ years.

With a few weeks until the April 1st, 2021 deadline to achieve the book's presale goal, Dunn Marsh and I caught up to dive into the book, her life, our shared passion for photography, and kinship as fellow Bard College alums.

Jon Feinstein in conversation with Michelle Dunn Marsh

Read more …
PostedMarch 8, 2021
AuthorJon Feinstein
Categoriesinterviews, Art News, Photobooks, writing on photography
TagsMIchelle Dunn Marsh, photographic memoirs, 2021 photobooks, Minor Matters Books, photo history, visual literacy, Jon Feinstein, contemporary photographers, Will WIlson, Stephen Shore, Aperture Books, Photographic Center Northwest, Elinor Carucci, Lisa Leone, Carrie Mae Weems, Eugene Richards, Paul Berger, Charlie Rubin, Endia Beal, Marina Font, Paul Strand, Molly Landreth, Jenny Riffle, Barbara Ess, Eirik Johnson, Daniel Carillo
© Alex Christopher Williams

© Alex Christopher Williams

Navigating The Nuances of Passing As White

Alex Christopher Williams’ new photobook Black Like Paul explores the complexities of race, masculinity, and what it means to pass as white.

A child of interracial marriage, Alex Christopher Williams stands astride two worlds - one white, one Black - each framed by race as a social, economic, and cultural construct.

Williams passes for white. Though the definition has expanded to include ethnicity, caste, social class, sexual orientation, and gender, from a genealogical perspective, passing describes biracial people who identify with or are perceived as belonging to a different racial group based on their appearance. Across the vast and violent span of American history, passing was a survival technique that granted some Black people access to education, employment, and relative safety before the law.

Black, Like Paul, Williams soon-to-be released book produced by Kris Graves Projects’ new imprint Monolith Editions, focuses on the photographer’s experience of navigating racial hybridity. Williams strives to understand his father Paul’s experiences as a Black man, and by extension, that of many men in his immediate and ancestral family and community. Looking at the book, readers may momentarily stand in Williams’ shoes, looking into a world that is familiar in some ways, and unknowable in others.

We recently spoke about going unnoticed in a world that regularly degrades the bodies of Black men and boys, and using photography to access heritage that is challenging to inhabit.

Roula Seikaly in conversation with Alex Christopher Williams.

Read more …
PostedFebruary 25, 2021
AuthorRoula Seikaly
CategoriesArtists, Art News, Photobooks, Portfolio, Publications
TagsAlex Christopher Williams, Kris Graves Projects, Monolith Editions, Roula Seikaly, Humble Arts Foundation, photography about race, Black Like Paul, contemporary photography, Atlanta photographers, Race in America
Domino Game, 2018 © Jamie Robertson

Domino Game, 2018 © Jamie Robertson

An Autobiographical Photobook on Black Life in Leon County, Texas 

Jamie Robertson uses her family history to reconcile wider narratives around the African Diaspora in her new book from Fifth Wheel Press, Charting the Afriscape of Leon County.

Robertson pairs images from her childhood and family archive with new landscape photographs and tableaux, and text, often from her family mythos and West African cosmologies, giving her images greater context.

A darkly lit yet highly saturated photograph of domino players, their faces obscured by shadow and a wide-brimmed straw hat on one page, a 1980s family reunion snapshot on the other. Dominos, a constant in her family history, symbolize generational ties, traditions, and holding fast to cultural and family evolutions.

In another pairing, Robertson re-photographs a landscape on her family’s property originally depicted in an image from her family's archive, the new image in conversation with the original on an opposite page. Instead of approaching the two photos as a “then and now” typology, the new photograph takes on a spiritual aspect. The pairing becomes a personal meditation on how we remember a place, and the potential for spirituality to soak into its memory.

Charting the Afriscape of Leon County, Texas highlights and centers the importance and continuity of Black life, spirituality, and its intersection with the land throughout Robertson’s lineage and creative practice.

We recently spoke about Robertson’s work, her family history, and the process of publishing a book during a pandemic. (Humble editor’s note: this book is being printed in a limited 1st edition of 50 copies - if you’re at all considering purchasing one, we highly recommend acting on that consideration soon.)

Jon Feinstein in conversation with Jamie Robertson

Read more …
PostedFebruary 4, 2021
AuthorJon Feinstein
Categoriesinterviews, Artists, Art News, Photobooks, Publications, Vernacular Photography
TagsJamie Robertson, Fifth Wheel Press, Charting The Afriscape of Leon County Texas, African Diaspora, Diaspora Studies, West African Cosmology
J.B. about men floating in the ait, 2015 © Julia Borissova

J.B. about men floating in the ait, 2015 © Julia Borissova

A New Photobook Ponders the Human Body from Helplessness to Transcendence

Mark Alice Durant’s latest book, Running, Falling, Flying, Floating, Crawling, published by his imprint Saint Lucy Books aggregates more than 50 contemporary, historical and vernacular photographers who use representations of the body as symbols of uncertainty, distress, humor, and dissonance. In Tabitha Soren's Dave, it’s terror – a man runs across a New York City street looking up in fear. For those who were alive at the time, we might conjure 9/11 imagery. A nation at war in constant panic.

In William Lamson’s Sublunar No. 23, it’s fun, conceptual, and performative. A group of white-suited maybe-astronauts, maybe-daredevils bounce a helmeted body off a makeshift trampoline into a deep black sky beckoning viewers to maybe laugh, maybe smile, and maybe scratch our heads. In Rania Matar’s Alae, Khiyam Lebanon, a Lebanese Muslim woman sits in a stream, almost cradling it, almost sleeping.
Yet it's clear she is collaborating with the photographer to convey calm and vulnerability.

Durant invited some of photography's most prominent curators, poets, and critics to respond to these images and offer context and meaning apart from the series to which they belong. It’s a book you’ll want to sit with for a while, one that will continue to evolve as we understand these images as stand-ins for an increasingly confusing and uncertain world.

I spoke with Durant to learn more about his thinking on this thoughtfully existential project.

Jon Feinstein in conversation with Mark Alice Durant

Read more …
PostedJanuary 28, 2021
AuthorJon Feinstein
CategoriesPhotobooks, Artists
Tags2021 Photobooks, Mark Alice Durant, Saint Lucy Books, vernacular photography, running falling flying floating crawling book
Newer / Older

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.