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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Comfort © De’ De Ajavon

De’De' Ajavon’s Cyanotypes Ponder The Hazy Reminder of Loss and Grief

The artist’s new exhibition Synchronicities, Traditions, and Remembrance at The Prelude Pointe Gallery in Marietta, Georgia attempts to materialize the memory of her father’s death.

When De' De’ Ajavon was just six years old, she lost her father. His passing left a gaping, unrecoverable hole that she's only recently been able to process. Using cyanotypes for their rich, murky blues, Ajavon digs through the emotional and physical reminders that continue to haunt her to this day. “Grief is a life-long, ever-evolving experience,” she writes, “and, because I was so young when he passed, I’ve had to spend my whole adult life trying to heal myself.”

Ajavon's images depict literal and metaphorical haziness, serendipity, and a perpetual void – she describes her work as a response to decades of “deep contemplation regarding time’s ability to distort our memories and how we perceive them.” It's a means to support her perpetual grieving process, act as tangible evidence of loss, and, she writes, “as a subconscious lead to the things we might have already known deep down inside.”
The exhibition is currently on view in Marietta, Georgia at The Prelude Pointe Gallery space through March 2, 2022.

I spoke with Ajavon to wade through it.

Jon Feinstein in conversation with De’ De’ Ajavon

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PostedFebruary 4, 2022
AuthorJon Feinstein
CategoriesArtists, Art News, Exhibitions, Galleries, interviews
TagsDe' De' Ajavon, new photography, alt-process photography, photography and memory, photography and healing, art as therapy

Out on the Range, January © Michael Young. From his series Hidden Glances.

A Photographer Finds His Voice Through Bold "Reverse-Collages" About Coming Out

Michael Young disassembles gay calendars as a metaphor for his closeted years.

Michael Young’s “Hidden Glances” is a series of handmade cutouts from erotic gay calendars spanning the time he hit puberty until the day he came out, collaged and reimagined. Young overlays images to compress time and space – years he sees as a void of hiding in plain sight.

The resulting images (even those rendered in black and white) are bright and colorful, contrastingly balancing joy, fear, and a memorial to time lost. They swell and sweat eroticism and desire, hanging with regret for the time he could not publicly acknowledge his true self.

“When I wanted to look at guys,” Young writes, “I could only risk taking quick glimpses because I was afraid that my gaze would linger too long and expose my homosexuality.”

We're proud to include Young among 10 artists Humble is spotlighting as jurors for Photolucida's 2021 Critical Mass. Roula Seikaly and I selected work we find truly remarkable in vision and concept, and Young is a shining star among many talented artists. For a limited time, Klompching Gallery is offering a super affordable edition of Young's work HERE. Get one before Gagosian snaps him up!

I spoke with Young to learn more about his work, his evolution as an artist, and his use of “reverse collage” as a powerful metaphor.

Jon Feinstein in conversation with Michael Young

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PostedDecember 14, 2021
AuthorJon Feinstein
CategoriesGalleries, Artists, interviews
Tags"reverse collage", new photography, photography is magic, post-photography, Michael Young, reverse glances, photography about coming out, art about coming out, process-based photography, Photolucida 2021, photolucida top 50, photolucida critical mass, best photography of 2021, photolucida2021HAFtop10

The Wall, 2018. © Griselda San Martin

A New Photography Exhibition in Jordan Shares a "Kaleidoscope" of American Identity

“I Hear America Singing,” curated by Ashley Lumb at the Jordan National Gallery of Fine Arts in Amman, Jordan presents a wide and inclusive picture of contemporary American photography.

For 19th Century poet Walt Whitman, America was the sum of its people – an ambitious symbol of collective participation and responsibility. His 1860 poem “I Hear America Singing” celebrated democracy in its most ideal form - something the country has, for many, continuously fallen short. Taking its title from Whitman's poem, Ashley Lumb’s exhibition – the first exhibition of American photography to take place in Amman, Jordan – features the work of 16 contemporary American photographers showing the many experiences of America and American identity.

Lumb uses three themes: Landscape, Portraiture and American History to frame the exhibition. This ranges from Lucas Foglia's poetic images of rural America to Millee Tibbs folded abstractions that distort and push against the hyper-masculinity of early American Landscape photography. Highlights (but really, every image in the show eloquently articulates the puzzle of American identity) also include Wendell White's series "Schools for the Colored," which presents locations in Northeastern states that once functioned as segregated schools, digitally edited to "screen out" surrounding area, isolating them from white society.

I spoke with Lumb to learn more about this exciting and ambitious exhibition.

Jon Feinstein in conversation with Ashley Lumb

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PostedNovember 12, 2021
AuthorJon Feinstein
CategoriesExhibitions, Galleries, Artists, Art News, interviews
TagsMatthew Brandt, Mercedes Dorame, Lucas Foglia, Wen-Hang Lin, Michael Lundgren, Alex Maclean, Griselda San Martin, Pamela Pecchio, David Benjamin Sherry, Xaviera Simmons, For Freedoms, Greg Stimac, Millee Tibbs, Wendel White, William Wilson, Ashley Lumb, American Photography, Contemporary American Photography, photo history, 2021 photography exhibitions, I Hear America Singing Exhibition, Jordan National Gallery of Fine Arts, Walt Whitman
Weshyar, His Family, Open Wounds © Younes Mohammad

Weshyar, His Family, Open Wounds © Younes Mohammad

A Photographer Visualizes Refugee Life after Fighting ISIL

Kurdish photographer Younes Mohammad’s photographs of PeShmerga fighters and refugees convey the barbarity of war while honoring refugee experiences from an insider’s perspective.

Images of refugees are common in worldwide media. Scenes of displaced and traumatized people often serve as sanitized substitutes for footage of the natural or man-made catastrophes that violently interrupt life’s familiar rhythms.

Younes Mohammed knows the precariousness of refugee life first hand. From 1974 to 1998, the Kurdish Iraqi sheltered across the border in Iran. While he was relatively protected from Saddam Hussein’s genocidal purge of ethnic Kurds, Mohammad was estranged from deep cultural and familial roots in his home country. In 2011, he left his job to pursue photography full time.

Open Wounds recounts Mohammed’s work with Peshmerga fighters - those who face death - in the months and years after ISIL rampaged across Iraq and Syria. Comprising harrowing portraits of wounded warriors and scenes of life scratched out from devastation, the series also conveys the photographer’s all too keen understanding of uncertainty amidst conflict.

Mohammed describes working with Peshmerga warriors and their families, why it is crucial for refugees to be seen and their humanity sustained, and what kept him busy during quarantine.

Roula Seikaly in conversation with Younes Mohammed

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PostedOctober 28, 2021
AuthorRoula Seikaly
CategoriesArtists, Galleries, interviews
TagsPhotography and War, Younes Mohammad, War Photography, contemporary photographic portraiture, Kurdish photographers, photos of Perhmerga fighters
Untitled, 2016 © Pacifico Silano

Untitled, 2016 © Pacifico Silano

An Exhibition Honors The Many Experiences of Queer Photographic History

Queer Moments at Lightwork Gallery in Syracuse, NY highlights the diversity of queer experience and the power of photography to affirm and sustain difference.

For nearly five decades, Light Work Gallery has amassed a photography collection donated by the artists who participated in the organization’s varied programs, including artist residencies and exhibitions. It’s a unique collecting model, one driven by the artist’s sense of their best work and not external factors or input such as art market viability or donor eccentricities. Moreover, the 4,000-piece collection sustains a counter narrative to other institutional photography collections that do not reflect the diverse identity markers of contemporary makers.

Curator Ryan Krueger elaborates on those themes in Queer Moments: Selections from the Light Work Collection. On view at the Syracuse, NY gallery through October 14th, the installation highlights 14 artists whose photographs convey quiet yet remarkable moments in queer history from the 1990s to now.

Krueger, who works at Light Work Gallery as the Digital Services Coordinator, wrote at length about the project in our email exchange, noting how the Light Work collection charts photography’s material and aesthetic evolution over 48 years and why the perennial quest for representation is so important..

Roula Seikaly in conversation with Ryan Krueger

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PostedOctober 7, 2021
AuthorRoula Seikaly
Categoriesinterviews, Galleries, Exhibitions, Artists, Art News
TagsLGBTQIA+ artists, Lightwork, Queer Moments, Lightwork Gallery, Ryan Krueger, Paul Mpagi Sepuya, Laura Aguilar, John Edmonds, Albert J. Winn, Jess T. Dugan, Ajamu (Ikwe-Tyehimba), Rory Mulligan, Clifford Prince King, Clarissa Sligh, Mark McKnight
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.