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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Silver Communion Balloon and Turquoise Tablecloth © Jonathan Blaustein

Silver Communion Balloon and Turquoise Tablecloth © Jonathan Blaustein

Jonathan Blaustein's Soon to be Published Photobook "Extinction Party" Playfully Serializes Consumer Culture

I first became familiar with Jonathan Blaustein’s work in 2009 when we met at Center Santa Fe’s portfolio review. While I was first excited by our comically similar names, his series The Value of a Dollar grabbed me for its direct stripping-down of food as a commodity, a source of nourishment and symbol of wealth, power, health, and inequality in the 21st century.

For more than a decade, and across multiple series, Blaustein has mixed this deadpan simplicity with bits of humor and earnestness to critique, poke fun at, and highlight the impact of consumerism and throwaway culture on the environment and society at large. His latest series Party City is the Devil continues this trajectory with garishly bright, poppy, typology-meets-Warhol inspired photographs. Red mime masks, cardboard crowns, shoddily-inflated ballons, and other useless party gags sit on disposable-tablecloths-turned-studio-backdrops. Using available light to mimic their no-frills essence, Blaustein’s photographs make bare the absurdity of the most disposable cultural items – the plastic crap we so readily buy and toss from stores like Party City.

I spoke with Blaustein, smack in the middle of his Kickstarter campaign to fund Extinction Party, a photobook culminating Blaustein's many projects, which Yoffy Press will (if you, dear readers, help fund it) publish in 2020.

Jon Feinstein in conversation with Jonathan Blaustein

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PostedNovember 19, 2019
AuthorJon Feinstein
CategoriesArtists, Publications, Photobooks
TagsJonathan Blaustein, Jon Feinstein, Yoffy Press, Photography and Consumerism, photographic typologies, photography inspired by Andy Warhol, 2020 photobooks
Aligned With-Sodpet © Adama Delphine Fawundu

Aligned With-Sodpet © Adama Delphine Fawundu

Adama Delphine Fawundu Uses Photography, Hair, Shells and Other Ephemera to Map Her Cultural Identity

Adama Delphine Fawundu’s exhibition Sacred Star of Isis & Other Stories, on view at San Francisco’s Museum of the African Diaspora through November 15, probes the tensions that shape her personal and creative life. Raised with both her parents Mende and western cultural and spiritual values, her current project teases out how identity is shaped against complex and often distorted historical narratives.

Exhibition Review by Roula Seikaly

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PostedNovember 12, 2019
AuthorRoula Seikaly
CategoriesArtists, Exhibitions, Galleries
TagsAdama Delphine Fawundu, San Francisco Museum of African Diaspora, new photography, photography and identity, Museum of African Diaspora, MOAD, Roula Seikaly
Anthem Number 12 © Doug Fogelson

Anthem Number 12 © Doug Fogelson

Doug Fogelson's Chemically Altered Landscape Photographs Reflect The Peril of Human Impact

Anthem, the latest installment of Doug Fogelson’s series Chemical Alterations uses chemically altered photographs of nature to comment on climate change and the destruction of the earth.

For the past few years, Chicago-based photographer Doug Fogelson has been making heavily saturated, almost-hallucinogenic images that respond to the peril of climate change. He photographs biologically diverse landscapes on analog film and subjects the negatives to industrial chemicals that make them morph, bleed and drip. The final prints retain varying degrees of the original nature scenes. In some, leafless trees battle the magenta and cyan-hued skies caused by Fogelson’s chemical burns. In others, abstraction takes over and no signs of the original scene remain. Fogelson asks viewers to do more than just marvel at technical tricks but to think carefully about their relationship to a quickly burning earth. While beautiful and inviting, they parallel the violence of human impact on the natural world and the Trump Administration’s erasure of policies that might help slow it down.

After his recent exhibition at Brooklyn, New York’s KlompChing Gallery, I spoke with Fogelson to learn more about his process and ideas.

Jon Feinstein in conversation with Doug Fogelson

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PostedNovember 7, 2019
AuthorJon Feinstein
CategoriesExhibitions, Artists
Tagslandscape photography, alternative process photography, Doug Fogelson, KlompChing Gallery, new photography, chemical alteration
#01 - Memphys. © Jana Sophia Nolle

#01 - Memphys. © Jana Sophia Nolle

An Artist Builds (and photographs) Structures for the Houseless in Living Rooms of the Wealthy

Photographer Jana Sophia Nolle takes a new, collaborative and empathetic approach to photographing and working with San Francisco’s houseless population.

Roughly .17 percent of the United States population is homeless ( source: https://endhomelessness.org/), or, more humanly stated, “unhoused” or “houseless.” San Francisco is witness to the third-highest unhoused population in the country, recently increasing by 17%. (editors note: we originally incorrectly listed this as 12% of the United States + SF population. We apologize for the typo.) Income disparity, sky-high rental rates, limited affordable housing, and a struggling social services network all exacerbate this chronic issue.

No one wants to ignore the most vulnerable among us. Yet, most of us feel overwhelmed in addressing such a challenge and the complex issues that inform it. Artist-activist Jana Sophia Nolle recognizes that collective uncertainty in addressing houselessness, and how to support those for whom this is a lived experience. In 2017, Nolle initiated Living Room, a project in which the temporary structures of people who are unhoused were re-created and photographed in the living rooms of housed San Franciscans.

I met Nolle during a Photo Alliance portfolio review earlier this year. The interview that follows unpacks questions about the participants: how they were approached and the delicate ethical balance she managed in working with people at opposite ends of the wealth spectrum; questioning the assumptions or biases about what leads to houselessness, and what role contemporary art has in addressing these issues.

Roula Seikaly in conversation with Jana Sophia Nolle

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PostedOctober 31, 2019
AuthorRoula Seikaly
CategoriesGalleries, Artists, Portfolio
Tagshomelessness, houselessness, photographing the homeless, collaborative art, San Francisco photographers, San Francisco photo alliance portfolio reviews, Roula Seikaly, Jana Sophia Nolle, Conceptual Art, Conceptual Photography
004_AP-PHOTOWORK_COVER_C1_HIRES-RGB.jpg

A New Book Highlights How 40 of Today's Most Prolific Photographers Build and Sustain a Successful Body of Work

Art dealer, curator and lifelong photographer-advocate Sasha Wolf speaks with Humble Arts Foundation about Photowork: her new book of informative, career-changing interviews.

Regardless of how you define “success," being a successful artist is hard. From making a truly cohesive body of work or writing a statement that resonates and cuts through the clutter of art speak, to marketing your work and getting buyers, curators and publishers to care about your work, it’s daunting. And with the onslaught of digital and visual noise, the challenges are ever-evolving.

In response to so many of these challenges, Sasha Wolf recently published Photo-Work: 40 Photographers on Process and Practice with Aperture, a collection of short, sweet, direct interviews with forty photographers crystalizing their key challenges, how they overcame them, and how they continue to iterate and pivot to help enrich and advance their process, practice, and careers. While the book doesn’t offer a simple salve – it shouldn’t – it’s a refreshing and much-needed conversation.

Jon Feinstein in conversation with Sasha Wolf.

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PostedOctober 24, 2019
AuthorJon Feinstein
CategoriesArtists, Publications, Photobooks
TagsAperture Books, Sasha Wolf, Advice for Photographers, photobooks, Alejandro Cartagena, Sasha Rudensky, Doug Dubois, Alec Soth, Catherine Opie, Matthew Connors, Dawoud Bey, Rinko Kawauchi, Kelli Connell
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.