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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Two Bands, Different Frequencies. 2018-2019 © Cristina Velásquez

Two Bands, Different Frequencies. 2018-2019 © Cristina Velásquez

How Assembly Is Helping Art Photographers Get Their Worth

Assembly’s innovative new platform and business model helps photographers navigate the complex and evolving world of art and commerce.

Ashlyn Davis Burns and Shane Lavalette are known as dedicated, artist-focused members of the photo community through their work with Houston Center for Photography and Light Work respectively. In 2020, as the COVID pandemic forced us to reconsider where and how we work, the duo left their institutional positions to found Assembly.

Operating virtually as an art agency, gallery, and creative studio, and with minimal physical overhead, Davis Burns and Lavalette are determined to support their clients in all the various roles they occupy, not simply as makers in a ravenous capitalist market.

I spoke with Lavalette and Burns about their exciting vision.

Roula Seikaly in conversation with Ashlyn Davis Burns and Shane Lavalette

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PostedSeptember 16, 2021
AuthorRoula Seikaly
CategoriesArt News, interviews
TagsAssembly, Ashlyn Davis Burns, Shane Lavalette, new photography business models, photography platforms, Houston Center for Photography, Roula Seikaly, Light Work, how to succeed as a photographer, how to make money as a photographer, how to earn a living as a photographer, emerging photograpers
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Elizabeth Ferrer's Illuminating History of Latinx Photography

The critic and photo historian’s critical volume Latinx Photography in the United States: A Visual History fills in knowledge gaps and cuts news paths in researching, collecting, and exhibiting Latinx photography.

“The impetus for this book is derived from a basic fact: by and large, Latinx photographers are excluded from the documented record of the history of American photography.” From the prologue’s first sentence, readers are alerted to the content and critical framework of Elizabeth Ferrer’s extraordinary first full-length book. In its form, Latinx Photography in the United States, published by University of Washington Press resembles familiar titles such as Naomi Rosenblum’s A World History of Photography, but the scope is decidedly more focused.

Over ten exhaustively researched and written chapters, Ferrer identifies primary themes - representations of self, family, and community, geographical influences, archives, and the fight for social justice - that motivate Latinx artists, and form a narrative that parallels the canonical story of American photography from which they’ve been excluded. It’s an absorbing read, and a must for students and teachers of photography.

Elizabeth Ferrer graciously agreed to speak with me about the origins of this book, the joyful work of contacting the artists whose work is included in the book, and laying to rest any notion that Latinx photographers are simply absent from the medium’s complicated history.

Roula Seikaly in conversation with Elizabeth Ferrer

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PostedSeptember 7, 2021
AuthorRoula Seikaly
Categoriesinterviews, Artists, Publications, Photobooks
TagsElizabeth Ferrer, Latinx photo history, history of photography, 2020 photobooks, photography education, Photography historians, Latinx Photography in the United States: A Visual History, University of Washington Press
For Nakeya © Emerald Arguelles

For Nakeya © Emerald Arguelles

Emerald Arguelles Celebrates Beauty, Community, and a Bright, Sparkling Future

The Photographer and Aint-Bad Editor In Chief's personal work and editorial leadership balances representations of joy, struggle, beauty and resilience.

Drawing on the warmth she experienced growing up in Louisiana beauty salons, Emerald Arguelles uses photography to reflect the past and envision a bright present and future for Black Americans. This comes across in a range of approaches and subject matter, from straightforward yet emotive black and white photographs of beauty salons to portraits that highlight the poetry of human gesture. And in her role as Aint- Bad’s Editor In Chief, Arguelles sees an ongoing opportunity to close the cultural gaps that still loom in contemporary photography.

I spoke with the photographer and editor to learn more about her personal work and gaze forward.

Jon Feinstein in conversation with Emerald Arguelles

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PostedAugust 24, 2021
AuthorJon Feinstein
Categoriesinterviews, Artists, Portfolio
TagsEmerald Arguelles, Aint-Bad Magazine, New Photography, contemporary photography, photographer conversations, photographer interviews, contemporary portraiture, empathy in photography
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Mining The New York Public Library’s Alien Archive

Dana Stirling’s 2017 series and handmade photobook Property of The New York Public Library Picture Collection is a snapshot of a peculiar trove and vital resource.

In early August, we learned through artist Jason Fulford and this New York Times article that the New York Public Library administration made plans to remove its Picture Collection from circulation. The collection, often organized into folders or binders of images, has been an invaluable resource to artists, educators and the general public for years. It’s a trove of historical imagery - at times anonymous, often peculiar and magnetic to those obsessed with archival image culture, from Joseph Cornell to Larry Sultan and Mike Mandel, and Taryn Simon.

In 2017, after touring the collection with Fulford, artist, curator and co-founder of Float Magazine Dana Stirling began zeroing in on a binder of UFOs. The collection contains 300 images, from stark “portraits” of aliens you might recall from issues of the Weekly World News, to flying saucers and almost psychedelic-looking orbs implied to be “space-related.” What fascinated Stirling more than just the alien phenomena were 121 images within the collection methodically stamped with “Property of The New York Public Library Collection” on the face of the image.

“It became clear to me,” says Stirling, “that this stamp was more than just an odd archivist’s decision, and now an integral part of the image and its composition.” More than just a watermark or security note, the stamp became part of the image, an intervention that, for Stirling, altered the images’ meaning by imposing an “alien element.”

Amidst the uncertainty of the collection’s future (details on how you can help preserve its public-ness here), we caught up with Stirling to learn more about her project and importance of this vital and peculiar resource.

Jon Feinstein in conversation with Dana Stirling

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PostedAugust 11, 2021
AuthorJon Feinstein
Categoriesinterviews, Photobooks, Publications, Vernacular Photography
TagsDana Stirling, New York Public Library Image Archive, UFO photography, found photography, historical image archives, appropriation, pictures generation, Float magazine
© Sarah-Lourdes Abrahamsen

© Sarah-Lourdes Abrahamsen

Getting Clean During a Pandemic

Sarah-Lourdes Abrahamsen’s Drug Dreams uses photographs and text to visualize the artist’s fraught and ongoing journey from addiction to sobriety.

2020 exacted a profound psychological toll. Managing the tightly-wound anxieties fueled by a global health crisis, quarantine, and concerns for our families’ health and our own stretched our emotional fiber to its limit. For those grappling with addiction and substance abuse disorder, the challenges were all the more acute. A July 17th CNN report indicates that 93,000 Americans succumbed to drug overdoses in 2020, a 29.4% increase over 2019, the highest number ever reported.

Sarah-Lourdes Abrahamsen is one of millions of Americans who battled addiction last year, leaning into her photographic practice to make sense of the struggle and to honor sobriety’s hard-fought milestones. Named for the vivid dreams that may occur as addiction’s morbid grip loosens, the series Drug Dreams recounts her experience. Hastily composed text and images - some sharply focused and others blurry - uncannily mirror a mind free of, or marinating in intoxicants.

I met Abrahamesen in a recent portfolio review for Parsons School of Design. Over email and Zoom, our conversation delved further into the relationship between image and text, the human cost of the war on drugs, and how a creative practice supports sobriety.

Roula Seikay in conversation with Sarah-Lourdes Abrahamsen

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PostedJuly 29, 2021
AuthorRoula Seikaly
CategoriesArtists, Galleries, interviews
TagsSarah Lourdes Abrahamsen, Roula Seikaly, photography and addiction, photography during quarantine
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.