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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
#01 - Memphys. © Jana Sophia Nolle

#01 - Memphys. © Jana Sophia Nolle

An Artist Builds (and photographs) Structures for the Houseless in Living Rooms of the Wealthy

Photographer Jana Sophia Nolle takes a new, collaborative and empathetic approach to photographing and working with San Francisco’s houseless population.

Roughly .17 percent of the United States population is homeless ( source: https://endhomelessness.org/), or, more humanly stated, “unhoused” or “houseless.” San Francisco is witness to the third-highest unhoused population in the country, recently increasing by 17%. (editors note: we originally incorrectly listed this as 12% of the United States + SF population. We apologize for the typo.) Income disparity, sky-high rental rates, limited affordable housing, and a struggling social services network all exacerbate this chronic issue.

No one wants to ignore the most vulnerable among us. Yet, most of us feel overwhelmed in addressing such a challenge and the complex issues that inform it. Artist-activist Jana Sophia Nolle recognizes that collective uncertainty in addressing houselessness, and how to support those for whom this is a lived experience. In 2017, Nolle initiated Living Room, a project in which the temporary structures of people who are unhoused were re-created and photographed in the living rooms of housed San Franciscans.

I met Nolle during a Photo Alliance portfolio review earlier this year. The interview that follows unpacks questions about the participants: how they were approached and the delicate ethical balance she managed in working with people at opposite ends of the wealth spectrum; questioning the assumptions or biases about what leads to houselessness, and what role contemporary art has in addressing these issues.

Roula Seikaly in conversation with Jana Sophia Nolle

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PostedOctober 31, 2019
AuthorRoula Seikaly
CategoriesGalleries, Artists, Portfolio
Tagshomelessness, houselessness, photographing the homeless, collaborative art, San Francisco photographers, San Francisco photo alliance portfolio reviews, Roula Seikaly, Jana Sophia Nolle, Conceptual Art, Conceptual Photography
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Ian Witlen's Multimedia Museum Exhibition Captures Oral Testimonies of Survivors of the Parkland School Shooting

The Parkland shooting at Stoneman Douglas High School in February 2018 – the deadliest in United States History – aroused new concerns about the gravity of gun violence in America. Ian Witlen, a photojournalist called to cover its aftermath for local news outlets, felt an additional sense of trauma when he arrived at the scene because Stoneman Douglas was the same high school he attended years ago. Places he held dear and associated with his own memories and adolescence were now tainted with death, and he was expected to photograph it.

Assignment after assignment added new layers of pain and introspection. As the days and weeks progressed, Witlen began questioning how local media was shaping the story, who was being interviewed, and how their stories were being told. Shortly after, he embarked on an oral histories project, photographing and interviewing survivors, asking them two simple questions: "What was your experience that day?" and "What would you like to see come of it." Much like the Shoah Project and other oral histories series, Witlen’s lens, ear, and microphone help these stories and those whose lives were lost live on and gives viewers deeper insight into an unimaginable event.

In advance of his solo exhibition at the Coral Springs Museum of Art, I spoke with Witlen to learn more about his experience and response to this horrific event.

Jon Feinstein in conversation with Ian Witlen

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PostedSeptember 10, 2019
AuthorJon Feinstein
CategoriesArtists, Exhibitions, Galleries, Portfolio
TagsIan Witlen, Parkland Shooting Oral Testimonies, photography and death, photography and mourning
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Black Clouds and Electric Metaphors: A New Exhibition Unpacks The Power That Shapes Us

I arrived at Cloaca Projects (pronounced clo-ay-ca) on an inconveniently hot Bay Area afternoon with one concern in mind: my phone battery was in the red, and I needed to find a socket to plug into. How ironic, then, that Matthew Kneebone’s A Small Black Could Looking Substance – on view through August 31 – the installation I was there to review takes up our understanding of electricity and how the gadgets it powers shape us and the world we live in.

(Editors note — this is the first piece we’re publishing on Humble with an embedded sound clip. Clap your hands for us, read real slow, and then take the 6+ minutes away from the memes to actually listen to it.)

Exhibition Review by Roula Seikaly

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PostedAugust 27, 2019
AuthorRoula Seikaly
CategoriesExhibitions, Artists, Galleries
Tagsmultimedia exhibition, Matthew Kneebone, Roula Seikaly, Cloaca Projects

Brea Souders and Ina Jang's Collaborative 50-Photo Installation Reimagines The Chinese Board Game "GO"

The Chinese board game Go, invented over 2,500 years ago, is an abstract strategy game in which two players vie to occupy more territory than their opponent. Using black and white stones, players take turns grabbing up empty spaces on the board, trying to fill as much space as possible or knock each other off by surrounding each other’s stones on all sides. It’s also the basis for artists Ina Jang and Brea Souders – a collaborative duo working under the name “Coramu” – latest exhibition, curated by Yael Eban at Tiger Strikes Asteroid Gallery in Bushwick, NY.

Souders and Jang use the structure of the game to create a competitive photographic dialogue. Images, all printed at the same size, are exhibited in two competing parallel lines stretching around the gallery’s perimeter. While the majority of the images are in ultra-saturated color, each row corresponds to the competing “black” and “white” pieces of the game, and range from wildly abstract to mountainous landscapes, commercially-lit portraits and still lifes of cigarette packages. It’s not always clear whose photos are whose, but the competition to surround and overtake is a constant.

Brea, Jang (aka Coramu) and I corresponded to discuss everything from board games and photo collaborations to the splintering evolution of “post-photography.”

Jon Feinstein in conversation with Brea Souders and Ina Jang.

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PostedAugust 19, 2019
AuthorJon Feinstein
CategoriesGalleries, Exhibitions, Artists
TagsBrea Souders, Ina Jang, Coramu, Yael Eban, artist collaborations, photographer collaborations, A New Nothing, post-photography, Go Boardgame, Tiger Strikes Asteroid Gallery, Bushwick Galleries, New photography
Wes Mills © Raymond Meeks

Wes Mills © Raymond Meeks

Raymond Meeks' "Sonder" Captures The Tension Between Youth and Adulthood

Sonder, Raymond Meeks’ first exhibition at Casemore Kirkeby in San Francisco through August 17, 2019 features multiple projects centering on youth, adulthood, and the experiences that link them.

Exhibition Review by Roula Seikaly

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PostedAugust 7, 2019
AuthorRoula Seikaly
CategoriesExhibitions, Galleries, Artists
TagsRaymond Meeks, Roula Seikaly, Casemore Kirkeby Gallery
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.