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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Image: Everett Collection

Image: Everett Collection

Reading's Not Dead: 22 Essays, Interviews and Other Sharp (Online) Photography Writing You Should Have Read in 2018

Humble editors select standouts in 2018 (online) photography writing

In his essay in Blindspot’s 2006 issue #32, Tim Davis wrote “people never read book introductions…,” a statement that, written more than a decade ago, unfortunately, continues to resound more than ever before and can be aptly applied to today’s “content” hungry landscape. We scroll rapidly through Instagram and eat listicles (like this one!) like Cheetos. Onto the next, onto the next, onto the next like an accelerated tangent of highway billboards in Ray Bradbury’s Fahrenheit 451. And defensiveness among countless photographers to write about their work seems ever present – just search “artist statement” into any Facebook photo group (yes we know, FB is for “old people” - go watch some YouTube "influencers," kids..) and you’ll hydrate yourself on the haterade for weeks. BUT! BUT! BUT!

But the “don’t make me think” attitude towards writing is counterbalanced by a ton of thoughtful essays, interviews and long form think-pieces on the current state of photography, its evolution and key issues that tie it to the larger cultural landscape. Below are 22 pieces on photography that moved us, in no particular order. You’ll notice that many of the pieces we selected are heavy on discussion of “the gaze,” which seems to have garnered a renewed attention in criticism and popular discussion over the past few years, and likely has been on our minds gearing up for the BlueSky Curatorial Prize this May.

Grab a couple coffees, mute Instagram for a bit, and have a read.

Read more …
PostedJanuary 3, 2019
AuthorEditors
CategoriesPublications, Artists, Exhibitions
TagsGregory Eddi Jones, Charlotte Cotton, Christa Olson, Reading The Pictures, VICE Photo, Miss Rosen, Susan Goldberg, National Geographic, Nick Mirzoeff, Hyper Allergic, Blake Andrews, Feature Shoot, Ellyn Kail, Alicia Kroell, Carmen Winant, Wilco Versteeg, Ariella Azoulay, Fotomuseum, Aperture, Jonathan Blaustein, New York Times Lens Blog, Sarah Sentiles, Roula Seikaly, Jon Feinstein, Tiona Nekkia McClodden, Teju Cole, Daniel C. Blight, Joerg Colberg, Jorg Colberg, Andrea Scott, Strange Fire Collective, Rafael Soldi, Kristine Potter, Matthew Leifheit, Paper Journal, Kat Kiernan, Will Matsuda
© Lindsay Dye

© Lindsay Dye

Your Raunchy Weekend Ahead: The First Annual Brooklyn Dirty Book Fair

This weekend, the first annual Brooklyn Dirty Book Fair at Brooklyn's Point Green Studio celebrates independently published erotic material. Titled Crushed, it will serve as a platform for artists dealing with sex, curated by Matthew Leifheit. Elements include a selection of lewd prints and publications for sale, two exhibitions featuring nudes by George Pitts (RIP), the queer zine collection of Phillip Aarons and Shelley Fox Aarons, dirty film screenings, readings and performances. We've included some highlights below to give you an idea of what to expect. Starting Saturday, and continuing all weekend, Curator Matthew Leifheit will be featuring more photos on Humble's Instagram. 

Full list of participants:

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PostedJuly 14, 2017
AuthorEditors
CategoriesArtists
TagsBrooklyn Dirty Bok Fair, Matthew Leifheit, Art Books, erotic art
© Michael Marcelle

© Michael Marcelle

Michael Marcelle's Horror-Inspired Metaphor for Hurricane Sandy

"When I was a child," writes Michael Marcelle in the forward to his upcoming monograph Kokomo, I thought there were monsters on the beach, waiting beneath the dunes, between the reeds. I would walk along the shore with my family, looking over my shoulder for a sign..." In 2012, Hurricane Sandy swept these dunes away, destroying Marcelle's memories of his hometown on the Jersey Shore. Already into his career as an art and editorial photographer, the devastation the storm caused to his childhood memories floated into his work, a series of photographs that lie somewhere between memoir and science fiction. 

While many photographers at the time covered the storm's destroyed landscape with an opportunistic or documentary lens, Marcelle folded its consequence inward. "The subjects are my immediate family," writes Marcelle, "caught in states of transformation and mutation in a ruptured, alien landscape." He recently teamed up with photography wunderkind Matthew Leifheit to publish the work under Leifheit's new imprint: Matte Publications, and they've launched a Kickstarter to help fund it. In advance of the campaign, I spoke with Marcelle about his obsession with horror and its metaphor in his work. Make sure to watch the video at the end of the interview to learn more. 

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PostedOctober 26, 2016
AuthorJon Feinstein
TagsMichael Marcelle, Photobooks, kickstarter photography projects, Matthew Leifheit, Photography Projects About Hurricane Sandy
Photo Courtesy of the Collection of Robert E. Jackson

Photo Courtesy of the Collection of Robert E. Jackson

What Does it Mean To Photograph Someone from Behind?

The act of photographing someone from behind is often likened to voyeurism or timidity. Think Lee Friedlander's classic image of his shadow stuck to a fur-clad woman's back. Or the countless, anonymous, about-faced vernacular snapshots that shroud women in a creepy silhouette of men pursuing them with cameras. As a young teenager, one of my first photo teachers told me to avoid making this kind of portrait at all costs - their recommendation (or commandment!) was meant as an encouragement – to get to know people, explore something deeper, make a connection or challenge me to engage on a deeper level. But what can this sometimes frowned-upon approach disclose in gesture or body language? Can it tell us more than direct eye contact might pretend? Pace McGill curated a rather compelling exhibition of these kinds of portraits throughout photographic history last summer in NYC.  Building on some of these historical notions, we contacted some of our favorite contemporary emerging and mid-career photographers to hear their about their own back-portraits, and their thoughts on this reversal of reveal. 

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PostedMay 10, 2016
AuthorJon Feinstein
CategoriesArtists, Galleries
TagsBack Portrait, voyeurism, portraiture, Robert e. Jackson, Brea Souders, Susan Barnett, Katrin Koenning, Matthew Leifheit, Paula McCartney, Ruben Natal San Miguel, Anna Beeke, Eamonn Doyle, Ka-Man Tse, Rory Mulligan, Andrew McGibbon, William Mebane, Kris Graves, Dale Rothenberg, Ron Jude, Alinka Echeverria, Derek Shapton, Lissa Rivera, Ben Alper, Mickey Kerr, Rafael Soldi, Beth Herzhaft, Frances Denny, Philip C. Keith
© Elizabeth Renstrom

© Elizabeth Renstrom

Keeping Photography Weird: 10 Questions with VICE's New Photo Editor Elizabeth Renstrom

Since Ryan McGinley and Tim Barber shaped VICE Magazine's photographic vision in the early 2000's, the magazine has had a consistent reputation for showing exciting new photography. Its relentlessly defiant content, ranging from controversial editorial stories to the often coveted annual Photo Issue, has carved out a recognizable, heavily copied aesthetic, trickling into mainstream fashion, lifestyle and advertising campaigns. Aside from their proclaimed hard-edged journalism, it's likely that this vision helped make VICE the media giant it is today. In 2013, before things could get stale, Matthew Lefheit took the reins for a brief but impactful stint. Under his tenure, Leifheit opened VICE's scope to photographers like Michael Bühler Rose, Erin O' Keefe, Lucas Blalock, and Rachel Stern, who are as equally engaged with photography's academic history as they are in keeping it current. 

As Leifheit recently headed to Yale to pursue his MFA, Elizabeth Renstrom has taken over, promising to keep VICE's photographic spirit courageous. Renstrom, a former Parsons' student of George Pitts is an accomplished photographer and photo producer, and regularly shoots for clients like Refinery 29, TIME, Nylon, and Bloomberg Business Week while still somehow managing to find the time to make her own work, including a hilariously poignant ongoing series about her early adolescence in the 1990's. Just as her first issue came out of production, we caught up with Renstrom to hear more about her plans for VICE, her own work, and what's changing in photography today. 

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PostedSeptember 16, 2015
AuthorJon Feinstein
CategoriesArtists, Publications
TagsVICE Magazine, Interviews, Elizabeth Renstrom, Matthew Leifheit, New Photography, Tim Barber, Ryan McGinley, Vice Photo, VICE
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.