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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
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Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
The Imprint, 2010. © Niloufar Banisadr

The Imprint, 2010. © Niloufar Banisadr

Photography Highlights from Seattle's Last Art Fair Left Standing

The Seattle Art Fair returns this year with a strong overall program and consistently compelling photography-based work. 

Yes, I know – hyperbolic headlines are a bit rich. I wrote this one a bit hesitantly after missing last weekend's Seattle Emerging Art Fair – a one-night popup exhibition at Canvas Space which I, unfortunately, learned about too late. So much for being on the pulse of art in a tech-drenched city. Digress and ramble on...

I'm also quietly mourning the (hopefully temporary) departure of Seattle's famously "more punk" biennial on-ramp "Out of Sight." There are rumors circulating about what caused this, but the general talk and suspicions center around gentrification and concrete-condo-jungle real estate boom making art space less affordable. Let's hope it returns next year. 

Digressing again. 

As sad as Out of Sight's departure is, The Seattle Art Fair - open through Sunday, August 5th at 6pm, continues to improve and impress, especially around photography. Now in its fourth year, it's become an annual tradition for Humble to highlight some of the fair's photo-related standouts, so here goes. If you're in the area, be sure to check these out and be ready to liquidate your bank account on work ranging from hundreds to tens of thousands of dollars.

Without further ado....

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PostedAugust 3, 2018
AuthorJon Feinstein
CategoriesGalleries, Exhibitions, Artists
TagsJames Harris Gallery, Melanie Flood Projects, Gaudio Fine Art, Mark McKnight, Teresa Christiansen, PDX Contemporary, Joe Rudko, Masao Yamamoto, Niloufar Banisadr, Carlos Colin, New photography, Ellen Carey, Clifford Prince King, Evan Lalon, Katherine Simóne Reynolds, Projects Plus Gallery, Dario Calmese, Lisa Kokin, Julie Blackmon, G Gibson Gallery, Terri Loewenthal, Robert Farber, Prince Gyasi
© Elinor Carucci

© Elinor Carucci

Scholarly Exhibition Explores the Pioneering Role of Women Using Color in Photography

Color photography can trace its earliest roots to Anna Atkins' mid-nineteenth century botanical cyanotypes. While camera-less, her adoption of the process has led many to consider her to be the world's first female photographer.

Curator, historian and artist Ellen Carey's latest exhibition "Women in Colour," on display through September at New York City's Rubber Factory gallery, uses Atkins' legacy to trace the lineage of women working with color photography through present day. Hinging on the recent discovery of tetrachromacy, the hypothesis that women are genetically prone to better discern color than men, Carey uses this exhibition to ask how that might impact female photographers' decision to work in color and hopes to gain recognition for their often under-exposed work. I spoke with Ellen Carey to learn more about the ideas behind her research and exhibition. 

Interview by Jon Feinstein

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PostedAugust 17, 2017
AuthorJon Feinstein
CategoriesExhibitions, Artists, Galleries
TagsEllen Carey, Women in Colour, Color Photography, Women in Photography, Marion Berlanger, Patty Carroll, Elinor Carucci, Amanda Means, Liz Nielsen, Meghann Riepenhoff, Carrie Mae Weems

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.