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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
© Rainia Matar. Wafaa and Sanaa, Bourj El Barajneh Refuge Camp, Beirut, Lebanon, 2017

© Rainia Matar. Wafaa and Sanaa, Bourj El Barajneh Refuge Camp, Beirut, Lebanon, 2017

Art Game Hustle: Guggenheim’s 2018 Photography Fellows on What it Takes to Earn the Most Prestigious Honor

Roula Seikaly speaks with Guggenheim's 2018 photography fellows about what drives them and what they plan to do with this prestigious award. 

Life as a working artist is the definition of hustle. For those who live its day-to-day reality, it means carving time out of a busy routine that includes - in addition to life’s personal demands - teaching and/or endless side gigs in order to support a creative practice. 

By this measure, unrestricted grants like those awarded by the John Simon Guggenheim Memorial Foundation are peerless opportunities. Of course, the official recognition of hard work is validating, but what may be more important is the gift of time it gives. We posed three questions to each of this year’s Guggenheim Photography Fellows and those who were able to participate replied with generous and detailed answers. In each answer, time and its central role in creativity is clear.

Congratulations to all!

Roula Seikaly in conversation with the 2018 Guggenheim photography fellows.

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PostedMay 17, 2018
AuthorRoula Seikaly
CategoriesExhibitions, Artists
TagsGuggenheim Photography Fellows, New Photography, Roula Seikaly, David Maisel, Hank Willis Thomas, Meghann Riepenhoff, Nadia Sablin, Nicholas Muellner, Pradip Malde, Lukas Felzmann, Kristine Potter, Ian van Coller, Photography Grants
Referee Module Interior © David Maisel. Courtesy of the artist and Haines Gallery

Referee Module Interior © David Maisel. Courtesy of the artist and Haines Gallery

Photographing Utah's Closely-Guarded Military Installation

“Not now.”

That was the reply to photographer David Maisel’s 2004 request to document Dugway Proving Ground. Rather than interpret the response as a dodge or definitive “no,” Maisel was was heartened, and began a decade of carefully-phrased communication with contacts in and outside of the Department of Defense, intensive vetting and, finally, permission to photograph a military installation so closely guarded that all but a few both in and outside the state of Utah know what goes on there.

Proving Ground, Maisel’s latest installment in a career-long photographic examination of the landscape, up through Feb 24th, 2018 at Haines Gallery in San Francisco reaffirms that the answers we seek through access are often incomplete.

Exhibition review by Roula Seikaly

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PostedJanuary 18, 2018
AuthorRoula Seikaly
CategoriesExhibitions, Artists, Galleries
TagsDavid Maisel, Haines Gallery, New Photography, Black Maps, Proving Ground Exhibition

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.