© Anthony Gerace
For nearly a decade, London-based artist Anthony Gerace has been making inspired collages with ultimate precision. Pulling material from the 1920s through the 1950s, Gerace cuts, pulls apart, and reassembles past remnants into sometimes humorous, sometimes disconcerting compositions, often using a grid as a psychological and organizational tool. He recently worked with Aint-Bad to publish And Another Thing, a collection of this work from the past seven years, which he describes as being less of an anthology, and more of "meditation on the nature and physicality of the medium as well as an individual piece of work in its own right." I contacted Gerace to learn more.
Interview by Jon Feinstein
