If you’re in NYC tomorrow night, be sure to swing by The Wild Project sometime between 6pm and 8pm for the opening of Elisabeth Bernstein’s first solo exhibition, Scapes, organized by our good friends Kate Greenberg and Hilary Schaffner.
From the press release:
“Bernstein’s seemingly familiar landscapes, at first glance, look as though they could be taken from places throughout the world. However, after close examination the viewer will notice that they have been fabricated for the camera. Using paint pigments and strategic camera placement to confound our expectations of weight and scale her images resemble mountainous terrains from an indeterminate time…”
Jan 28 – Mar 6, 2010
Opening Reception:
Tuesday, February 9, 6 – 8pm
@ 195 East 3rd Street b/t Ave A and B.
New York, NY 10009
p. 212.228.1195
Gallery hours: Thursday – Saturday, 1 – 7pm
For more information please contact Hilary Schaffner at 212. 228.1195 or info@thewildproject.com.
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Torbjørn Rødland is showing a new body of work, Dearest Kitty, at Nils Stærk in Copenhagen.
Western critics are used to seeing cuteness as a lie – a lie told in order to sell a product. It’s been an integrated part of my project since the 90s to look for a more nuanced understanding of cuteness. To my surprise, this search led me to photographic sadism. It was in Tokyo that I first saw the link. In Japan there is an acceptance of cuteness and a history of sadism much stronger than here, but I’ve recently noticed a shift in American culture as well. The last decade gave us Inglourious Basterds and the Bush Doctrine but also incredibly cute viral videos.
It’s been reported that Walt Disney begged the American Air Force not to bomb Schloss Neuschwanstein during the 1945 air raids. He modeled his Sleeping Beauty castle on the building, which less than eighty years earlier had been inspired by scenography from Wagner operas. I traveled to Bavaria to photograph this fantasy castle in front of snow-covered mountains, only to find that its best angle was inaccessible. I would have needed a helicopter or a small mountain expedition to make the picture I wanted and ended up buying a poster. They say Schloss Neuschwanstein is the most photographed building in Germany.
Two summers ago I photographed four watercolors signed «A.H.». For years they’d been hidden in a small frame behind one of the many watercolors Adolf Hitler painted of traditional German houses. We know Hitler owned a copy of Snow White and the Seven Dwarfs (1937), Disney’s first feature-length animation film. Private screenings were arranged for Hitler’s inner circle.
The skulls are photographed in cremation ovens. I longed to deal with reality in a more direct way. What can be more real than a person on fire?
One hundred years ago the New Testament was still our main story of evil and sacrifice. The World Wars changed that. The Holocaust is now our culture’s main mythological story of evil and sacrifice.
Anne Frank was fifteen when she died in Bergen-Belsen. Kitty is the name of her Amsterdam diary, our Gospel.




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Sam Falls – Nothing Is Revealed
At Higher Pictures
764 Madsion Ave (btwn 65th and 66th sts), NY, NY
February 04 – March 06, 2010

Lydia Panas – The Mark of Abel
At Foley Gallery
547 W. 27th St, 5th Fl., NY, NY
February 04 – April 20, 2010
Silja Magg
Constructed Identities
Featuring: Katherine Edwards, Joel Jagerroos, Camile Godoy, Laura Gonzales, Jessica Ledbetter, Silja Magnusdottir, Therese Ohrvall, Lizzy Oppenheimer, Veronica Rafael, Bailey Roberts, Bernadette Vitale
At Thomas Werner Gallery
526 W. 26th St #712, NY, NY
February 04 – 06, 2010
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Photo Copyright: Shutterstock Images
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