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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Ian Witlen - Exhibition Model Photos-2805_BW (LOW RES).jpg

Ian Witlen's Multimedia Museum Exhibition Captures Oral Testimonies of Survivors of the Parkland School Shooting

The Parkland shooting at Stoneman Douglas High School in February 2018 – the deadliest in United States History – aroused new concerns about the gravity of gun violence in America. Ian Witlen, a photojournalist called to cover its aftermath for local news outlets, felt an additional sense of trauma when he arrived at the scene because Stoneman Douglas was the same high school he attended years ago. Places he held dear and associated with his own memories and adolescence were now tainted with death, and he was expected to photograph it.

Assignment after assignment added new layers of pain and introspection. As the days and weeks progressed, Witlen began questioning how local media was shaping the story, who was being interviewed, and how their stories were being told. Shortly after, he embarked on an oral histories project, photographing and interviewing survivors, asking them two simple questions: "What was your experience that day?" and "What would you like to see come of it." Much like the Shoah Project and other oral histories series, Witlen’s lens, ear, and microphone help these stories and those whose lives were lost live on and gives viewers deeper insight into an unimaginable event.

In advance of his solo exhibition at the Coral Springs Museum of Art, I spoke with Witlen to learn more about his experience and response to this horrific event.

Jon Feinstein in conversation with Ian Witlen

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PostedSeptember 10, 2019
AuthorJon Feinstein
CategoriesArtists, Exhibitions, Galleries, Portfolio
TagsIan Witlen, Parkland Shooting Oral Testimonies, photography and death, photography and mourning
Neither here nor there (000000 - ffffff) © Ariel C. Wilson

Neither here nor there (000000 - ffffff) © Ariel C. Wilson

Ariel C. Wilson's (Im)materially Material Photographs Reflect the Limits of Representation

Ariel C. Wilson is a photographer and educator currently based in West Virginia. While presenting her work on the main stage at the SPE national conference in March, Wilson posed a simple but provocative question: where does the photographic image end, and the page begin?

Wilson’s series To See From Somewhere builds on the artist’s broad and overlapping interests: image materiality, or the lack of it; the role of accident or happenstance in one’s creative practice, resisting the limits imposed by representationalism, and abstraction as a means to recognize systems of inequality in and outside the art world.

After seeing Wilson speak at SPE, we spoke about her unique approach to non/image making.

Roula Seikaly in conversation with Ariel C. Wilson

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PostedJuly 29, 2019
AuthorRoula Seikaly
CategoriesArtists, Portfolio
TagsAriel C. Wilson, Roula Seikaly, New Photography, SPE Conference, Post photography, Abstract Photography
18_Blake_Andrews.jpg

Blake Andrews Photographs Life's Weird, Funny, Strange (and often snarky) Moments

In 2013 when Humble relaunched after a temporary hiatus, I invited Blake Andrews to participate in one of our first online shows on the new platform: “New Directions in Street Photography.” I was drawn to Blake’s ability to both fit within the traditional definitions of the genre (decisive moment, no manipulation, etc) yet break the tropes that have continued to hold much of the genre back. He was (and still is) just a dude capturing the ragged magic of life as it happened. In photo after photo, chance aligns to create strange fictions in every day life. The way a baby’s head cradled in its fathers arms, photographed near a toddler walking by can create and amalgamation of a species. Or how someone’s legs on a body dressed in all black walking down a street, when hit with the right beam of sun, can look like just a pair of legs walking down the street with no body at all. It’s weird, funny and strange with the right amount of snark to keep me looking.

After missing each other multiple times in real life, I got in touch with Blake over email to learn more about what drives him to make pictures.

Jon Feinstein in conversation with Blake Andrews

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PostedJuly 11, 2019
AuthorJon Feinstein
CategoriesArtists, Portfolio
Tagsblake andrews, street photography, in-public, decisive moment, black and white photography
© Will Douglas

© Will Douglas

Will Douglas' New Photobook Flattens and Complicates Our Relationship to a Screen-Based World

Flat Pictures You Can Feel manipulates and repackages how we see (and feel!) images on screens, on walls, and in our hands.

Some of my favorite photographic series are ones that seep ambiguity. While I love typologies and projects with a clear beginning, middle, and end, pictures and sequences that at first bewilder me or make me think “What is this photographer actually thinking?" "What's going on in this image?" or ” Why are these photos organized like this?" often have the most staying power. Will Douglas’ latest book Flat Pictures You Can Feel, published earlier this year by Ain’t Bad, does just that.

Images of bullfights volley against religious iconography, photos of smashed surfaces, gravesites and others balancing soft and hard, peaceful and violent, immediate and metaphoric. Some are Douglas' own photographs, others are appropriated images from advertisements, rephotographed on walls or digital monitors. It's often unclear which are his own, and which are borrowed, but it doesn't really matter. The notion of "feeling," them, pulled from the book's title, is central to them all. Douglas collects and collates these haphazard moments into a strange meditation on how the process of viewing an image – whether it’s on a screen or in physical form – can change or even numb how we understand their place in the world.

After meeting Douglas at Portland, Oregon’s 2019 Photolucida portfolio reviews, I followed up to dig deeper into his ideas, process, and clarify the confusion that first drew me in.

Jon Feinstein in conversation with Will Douglas

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PostedJuly 3, 2019
AuthorJon Feinstein
CategoriesArtists, Publications, Portfolio, Photobooks
TagsWill Douglas, appropriation, masculinity, Flat Pictures You Can Feel, Ain't Bad Books, Photobooks
The Dining Room © Guanyu Xu

The Dining Room © Guanyu Xu

Guanyu Xu Creates Domestic Interventions That Reflect His Double Life

Beijing-raised, Chicago-based Guanyu Xu’s latest series, Temporarily Censored Home processes the complexities of living and working as a queer artist across cultures of freedom and restriction.

A recent graduate of School of the Art Institute of Chicago’s MFA program, Guanyu Xu is free to pursue projects that examine his intersectional experience of race, sexuality, and citizenship when in the United States. In Beijing, however, where Xu grew up and where his parents presently live, revealing these significant personal details and their importance to his creative practice gets complicated. It invites unwanted attention from both family and a repressive political regime that prides itself on controlling the lives of its citizens.

In his latest series, Temporarily Censored Home, for which the artist was recently shortlisted for Aperture’s prestigious 2019 Portfolio Prize, Xu covertly creates installations in his parents Beijing home when they are unaware, and photographs them. Straddling a line between installation art, sculpture, and photographic document, he combines images from his childhood and adolescence with portraits of his present-day self and other gay men, forcing an otherwise censored space to recognize his humanity.

After a productive portfolio review at SPE National in March, we communicated about his latest work ad the experience and ideas driving it. He wrote at length about how desire is shaped, the tension of mounting and breaking down clandestine installations while his parents are out of the house, and the varied media and textual sources that influence his practice.

Roula Seikaly in conversation with Guanyu Xu.

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PostedJune 20, 2019
AuthorRoula Seikaly
CategoriesArtists, Portfolio
TagsAperture 2019 Portfolio prize, Guanyu Xu, Roula Seikaly, photographer interviews, new photography, SAIC photography MFA, queer photography, photographic interventions
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.