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Stories and interviews
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Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
© Sameer Raichur

© Sameer Raichur

One Photographer’s Portrait of Social Isolation in Bangalore India

Sameer Raichur’s diaristic photographs of life during quarantine find new meaning in the everyday.

In May 2020, Sameer Raichur's photo of a backlit and silhouetted figure standing between a floral curtain and a window stopped me in my daily, quarantined Instagram doom scroll. The curtain, billowed by a breeze, seemed inhabited by a ghost. It’s the type of dark, whispy photo that Instagram’s algorithm loves, but goes beyond a tropey reference to the obvious existential metaphors one might associate with Kevin Spacey’s film “American Beauty,” and into something more authentically self-reflective. Tenderness, fear, isolation, and so many more emotions neatly – but not too neatly - rolled into a single photograph.

Raichur's caption reflects the image's vulnerability, uncertainty, and softness. “Life seems to have settled into a rhythm during lockdown. A usual day involves visiting the same spots in the house and at particular times, chasing the light,” the photographer notes. For Raichur, it became an ongoing struggle against meaninglessness, a celebration of the moments that might not have registered in previous times.
“Checking on pigeons hanging out on the edges of our windows,” Raichur writes, “watching my curtain blowing in the wind and endless staring out of balconies and windows, praying for the unexpected.”

This is but one image in a series that illustrates Raichur’s often hallucinatory visual response to isolation. It brought up childhood memories, reexaminations of family life, and newfound pleasures in the simple joys he might not have appreciated otherwise. Nearly a year into lockdown, I connected with Raichur to learn more about how he uses photography to cope and stay balanced.

Jon Feinstein in conversation with Sameer Raichur

Read more …
PostedMarch 2, 2021
AuthorJon Feinstein
CategoriesArtists, interviews
TagsSameer Raichur, quarantine in India, Covid photography, introspective photography, self-portraiture, new photography, photography and social isolation, photography about stillness

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.