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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Photos © Meron Menghistab

Photos © Meron Menghistab

Life After Prison: Reclaiming Identity Through Photographic Portraiture and First-Person Narratives

A photographer, photo editor, and formerly incarcerated author discuss the power of words and photos to reclaim life and identity.

The United States has a larger prison population than any other country in the world, with over 2 million people living behind bars. But it’s also staggering to look at the state-by-state numbers. At the beginning of 2020, Washington State had nearly as many incarcerated individuals as Sudan, a developing country that has five times as many citizens. Despite Washington’s legislature being run by progressive-identifying Democrats, many deeply entrenched barriers face people after they leave prison, which contributes to joblessness, homelessness, and recidivism.

Washington has largely abolished parole, and like many U.S. states, the average length of a felony sentence has dramatically increased since the early 2000s. “Many prisoners are spending longer and longer periods of time in prison and a growing number of these prisoners will die behind bars,” according to the ACLU of Washington. In most democratic countries, a long sentence is considered to be one or two years, and a sentence beyond 10 years is extremely rare.

For those who get out of prison in Washington State, one route to avoid recidivism is the education system. A college degree can re-level the playing field for someone with a felony conviction, opening doors that might have seen permanently shut. This path often starts while still in prison: Students behind bars earn their GEDs and take university-level courses. In December, Congress struck a deal to reinstate federal Pell Grants to incarcerated college students, a tuition resource that had been prohibited since the 1994 crime bill.

Last summer, University of Washington Magazine's photo editor Quinn Russell Brown commissioned Meron Menghistab to photograph 10 men and women who earned college degrees from the University of Washington after getting out of prison. Menghistab, named one of 2020’s 30 New and Emerging Photographers to Watch, is an editorial and commercial photographer known for putting his subjects at ease and creating quiet, moving portraits. As project manager for the feature, Brown also hired Omari Amili, a formerly incarcerated author, to recruit and interview the 10 people featured in the story.

Following the feature for University of Washington Magazine, Brown, Menghistab, and Amili connected to discuss this intimate and empowering project from the perspective of the photo editor, photographer, and interviewer.

Quinn Russell Brown, Meron Menghistab, and Omari Amili in conversation.

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PostedFebruary 2, 2021
AuthorQuinn Russell Brown, Meron Menghistab, and Omari Amili
Categoriesinterviews
Tagslife after prison, Omari Amili, Meron Menghistab, Quinn Russell Brown, prison industrial complex, 30 Emerging Photographers to Watch, contemporary portraiture, empathetic portraiture, portraits as empathy, editorial portraiture, The Lit List
Self Evident Truths: 10,000 Portraits of Queer America  © iO Tillet Wright

Self Evident Truths: 10,000 Portraits of Queer America © iO Tillet Wright

10 Years and 10,000 Portraits of Queer America

Roula Seikaly speaks with iO Tillet Wright about Self Evident Truths, his ten-year project (and now photography book) of 10,000+ humanizing portraits documenting people in the USA that identify as ANYTHING OTHER than 100% straight.

I was champagne-drunk while listening to United States President-elect Joseph R. Biden formally address the nation on November 7th. It was also my birthday, and there was much to celebrate. When I heard him include trans and queer Americans in a long list of people to whom he owes this victory, as though he was naming family members, I cried. I thought of my transgender wife and all of our friends in queer and other marginalized communities for whom the previous four years particularly have been terrifyingly fraught, and how it may be slightly easier to breathe now.

With that in mind, it’s a pleasure to introduce this interview with photographer iO Tillet-Wright. In 2010, Tillet-Wright embarked on a nationwide project to photograph people who are generally lumped into the category “LGBTQIA++,” which the photographer/activist rightly calls out for how it generalizes the otherwise glorious variations within queer communities.

10 years and 10,000 portraits later, the project Self Evident Truths: 10,000 Portraits of Queer America celebrates individuality that is barely contained within the photographic frame and holds immeasurable possibilities beyond a clumsy acronym. Published by Prestel this October, the 544-page book is monumental for its size, scope, and content - “10,000 faces of survival, charisma, and charm” - alike.

Roula Seikaly in conversation with iO Tillet-Wright

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PostedNovember 12, 2020
AuthorRoula Seikaly
CategoriesArt News, Artists, Galleries, Photobooks
TagsiO Tillet-Wright, Roula Seikaly, New Photography, Self Evident Truths, photobooks, queer identity and photography, empathetic portraiture, Contemporary Portraiture

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.