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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

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Stories and interviews
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Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Dana Stirling_UFO_19.jpg

Mining The New York Public Library’s Alien Archive

Dana Stirling’s 2017 series and handmade photobook Property of The New York Public Library Picture Collection is a snapshot of a peculiar trove and vital resource.

In early August, we learned through artist Jason Fulford and this New York Times article that the New York Public Library administration made plans to remove its Picture Collection from circulation. The collection, often organized into folders or binders of images, has been an invaluable resource to artists, educators and the general public for years. It’s a trove of historical imagery - at times anonymous, often peculiar and magnetic to those obsessed with archival image culture, from Joseph Cornell to Larry Sultan and Mike Mandel, and Taryn Simon.

In 2017, after touring the collection with Fulford, artist, curator and co-founder of Float Magazine Dana Stirling began zeroing in on a binder of UFOs. The collection contains 300 images, from stark “portraits” of aliens you might recall from issues of the Weekly World News, to flying saucers and almost psychedelic-looking orbs implied to be “space-related.” What fascinated Stirling more than just the alien phenomena were 121 images within the collection methodically stamped with “Property of The New York Public Library Collection” on the face of the image.

“It became clear to me,” says Stirling, “that this stamp was more than just an odd archivist’s decision, and now an integral part of the image and its composition.” More than just a watermark or security note, the stamp became part of the image, an intervention that, for Stirling, altered the images’ meaning by imposing an “alien element.”

Amidst the uncertainty of the collection’s future (details on how you can help preserve its public-ness here), we caught up with Stirling to learn more about her project and importance of this vital and peculiar resource.

Jon Feinstein in conversation with Dana Stirling

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PostedAugust 11, 2021
AuthorJon Feinstein
Categoriesinterviews, Photobooks, Publications, Vernacular Photography
TagsDana Stirling, New York Public Library Image Archive, UFO photography, found photography, historical image archives, appropriation, pictures generation, Float magazine
Oakland, 2020 © Nicole White  (After Kenneth Josephson, Chicago 1964)

Oakland, 2020 © Nicole White
(After Kenneth Josephson, Chicago 1964)

Famous Photographs Remade in Toilet Paper

At the end of March, with the shelter in place plan in full effect, Bay Area photographers Jenny Sampson, Colleen Mullins, Nicole White, and Christy McDonald embarked on a creative approach to self-quarantining. They started making daily homages to their favorite photographs – in toilet paper.

“Thinking about the seriousness of the moment combined with the surreal quality of what was occurring around us,” the photographers say in their statement, “we thought that we should make images to occupy our time and give us something to work on while in our homes."

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PostedApril 8, 2020
AuthorJon Feinstein
Tagsart during Covid19, Colleen Mullins, Nicole White, Jenny Sampson, photo history, appropriation, photo appropriation
Dwelling #3, 2018 © Matthew Cronin

Dwelling #3, 2018 © Matthew Cronin

Subverting The Cold, Domestic Glow of 1970s JC Penny Catalog Photos

In his recent series, Dwelling, Matthew Cronin scans and warps 1970s JC Penny catalog photographs to create a sense of uneasiness on the construction of domestic scenes.

In 2018, Matthew Cronin came across an archive of large-format 1970s JC Penny catalog transparencies. Like much commercial photography then and now, these slick, elaborately lit commercial interior shots created a stylized illusion of domesticity to sell beds, sofas, and other household items.

Drawn to their peculiar, dated fantasies, Cronin scans, layers and subtly manipulates each image to subvert their narratives. Fake shadows appear where they shouldn’t and don’t where they should. Patterns mysteriously bleed from the fabric into other surfaces and formerly “inviting” interiors now hover in purgatory - somewhere between comfort and terror. Digital specters are clear and constant reminders that we are seeing their strings.

Having spent time with his work when I selected it for PhotNola’s “Currents” exhibition at the Odgen Museum of Southern Art last December, I reached out to Cronin to learn more about the artist and his work.

Jon Feinstein in conversation with Matthew Cronin

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PostedMarch 12, 2020
AuthorJon Feinstein
CategoriesExhibitions, Artists, Portfolio
TagsMatthew Cronin, Fake News, Photographic Truth, new photography, post photography, jc penny catalogs, found photography, appropriation, photographic manipulation, digital manipulation, PhotoNola 2019
© Will Douglas

© Will Douglas

Will Douglas' New Photobook Flattens and Complicates Our Relationship to a Screen-Based World

Flat Pictures You Can Feel manipulates and repackages how we see (and feel!) images on screens, on walls, and in our hands.

Some of my favorite photographic series are ones that seep ambiguity. While I love typologies and projects with a clear beginning, middle, and end, pictures and sequences that at first bewilder me or make me think “What is this photographer actually thinking?" "What's going on in this image?" or ” Why are these photos organized like this?" often have the most staying power. Will Douglas’ latest book Flat Pictures You Can Feel, published earlier this year by Ain’t Bad, does just that.

Images of bullfights volley against religious iconography, photos of smashed surfaces, gravesites and others balancing soft and hard, peaceful and violent, immediate and metaphoric. Some are Douglas' own photographs, others are appropriated images from advertisements, rephotographed on walls or digital monitors. It's often unclear which are his own, and which are borrowed, but it doesn't really matter. The notion of "feeling," them, pulled from the book's title, is central to them all. Douglas collects and collates these haphazard moments into a strange meditation on how the process of viewing an image – whether it’s on a screen or in physical form – can change or even numb how we understand their place in the world.

After meeting Douglas at Portland, Oregon’s 2019 Photolucida portfolio reviews, I followed up to dig deeper into his ideas, process, and clarify the confusion that first drew me in.

Jon Feinstein in conversation with Will Douglas

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PostedJuly 3, 2019
AuthorJon Feinstein
CategoriesArtists, Publications, Portfolio, Photobooks
TagsWill Douglas, appropriation, masculinity, Flat Pictures You Can Feel, Ain't Bad Books, Photobooks
© Pace/Wirtz

© Pace/Wirtz

Recollected: Photography and the Archive

Beginning in the 1980s, theorists including Allan Sekula and Jon Tagg initiated critical work that analyzed the organization, purpose, and consumption of photographic archives. In doing so, they implicated the medium as a tool of state surveillance and control deployed against often vulnerable populations.

The points asserted by Sekula and Tagg about photographs within an archival setting encouraged numerous artists to utilize archives as the source or focus of substantive work. Those now-familiar lines of inquiry are widened, and the interpretation of archival material in photographic form expanded in Recollected: Photography and the Archive, a group installation that was on view at the Fine Arts Gallery at San Francisco State University through November 16. 

Exhibition Review by Roula Seikaly

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PostedNovember 30, 2017
AuthorRoula Seikaly
TagsAllan Sekula, Jon Tagg, Recollected: Photography and the Archive, Tina Takemoto, Nigel Poor, Ian Everard, Jiro Onuma, Kija Lucas, Pamela WIlsonn-Ryckman, Hung Liu, appropriation, Chris Dorosz
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.