© Michael Marcelle
"When I was a child," writes Michael Marcelle in the forward to his upcoming monograph Kokomo, I thought there were monsters on the beach, waiting beneath the dunes, between the reeds. I would walk along the shore with my family, looking over my shoulder for a sign..." In 2012, Hurricane Sandy swept these dunes away, destroying Marcelle's memories of his hometown on the Jersey Shore. Already into his career as an art and editorial photographer, the devastation the storm caused to his childhood memories floated into his work, a series of photographs that lie somewhere between memoir and science fiction.
While many photographers at the time covered the storm's destroyed landscape with an opportunistic or documentary lens, Marcelle folded its consequence inward. "The subjects are my immediate family," writes Marcelle, "caught in states of transformation and mutation in a ruptured, alien landscape." He recently teamed up with photography wunderkind Matthew Leifheit to publish the work under Leifheit's new imprint: Matte Publications, and they've launched a Kickstarter to help fund it. In advance of the campaign, I spoke with Marcelle about his obsession with horror and its metaphor in his work. Make sure to watch the video at the end of the interview to learn more.