In 2007, photographers Nate Larson and Marni Shindelman began Geolocation, a nationwide project, tracking the locations of hundreds of tweets from around the United States, Canada and the UK and making photographs to mark their location in the real world. Working long distance, the photographers' collaborative process explores the massive, rapid collection of often incredibly personal data, grounding it in physical form. The images, ranging from roadside slices of America not unlike Sternfeld's America Prospects, to lonely, unspecific landscapes, give a heartbreaking window into contemporary isolation and the need to connect in a time in which everyone is at our fingertips. The culmination of their work was recently pared down to a wonderful publication of more than 70 photos published by Jennifer Schwartz and David Bram's Flash Powder Projects, and includes essays by Julia Dolan,  Kate Palmer Albers, Jamie Allen, Chad Alligood, Mark Alice Durant, Paul Soulellis, Michael Wolf and Natalie Zelt. We spent some time (virtually, of course) with Marni and Nate over email to learn more about their work and its implications.