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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
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Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
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How To Win With Michael Itkoff

Appropriation has taken various turns over the past century. From Duchamp’s urinal sculpture to Sherrie Levine’s re-authored farm security photos, borrowing, stealing and creating derivative works from existing material has long become commonly accepted as a legitimate (and often very expensive) method of making art. Internet culture and shifting attitudes surrounding image authorship over the past decade have added a new layer to this discipline, with source material expanding to include Google maps, stock photography, spam emails, and even, in Cory Archangel’s case, video games.  

Michael Itkoff’s ongoing How To video pieces continue this conversation by applying 21st century new media tools to imagery appropriated from 20th century how-to manuals. Itkoff’s resulting 10-65 second animated stills of men and women in various types of fitness gear, work wear, and athletic poses address notions of self-perfection with a comprehensive mix of humor and dry wit. Isolated on white, the figures blink rapidly through each stage of action, and often look more like animated caricatures than actual people.

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The images themselves are pulled from various instructional books including Jane Fonda’s Workout Book, Bowling to Win and Tap Dancing, The Robert Audy Method. Itkoff’s process involves scanning, editing, isolating, and reordering the images originally used to illustrate these books, and ultimately displaying them on devices including iPads, custom built LCD screens and limited edition lightboxes.

For Itkoff, merging dated imagery and materials with new technology are a way of bridging old and new ideas about self-perfection. “The veneer of sleek perfection created by the iPads and bespoke video players contrast nicely with the analogue nature of the bodies highlighted in the video loops as well as the scans of the tattered vintage volumes from which they were scanned.”

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While it’s easy to appreciate Itkoff’s How-To videos for their humor, social commentary, and perhaps some face value of irony, they also hold personal impact in their connection to his own strive for self-improvement. “I am pretty driven and am always trying to learn more and improve myself. This near-universal compulsion underlines the routine of our daily existence and helps to give it purpose and meaning.” 

www.michaelitkoff.com/howto.php

www.michaelitkoff.com/howto.php

Bio: Michael Itkoff is an artist and Cofounder of Daylight as well as an Associate Professor at the School of Visual Arts in Manhattan. He has spent time at the Annie Leibowitz Studio, Aperture Foundation, and Rizzoli International Publications. A monograph, 'Street Portraits', was published by Charta Editions in 2009. Michael's work is currently represented by the Kopeikin Gallery. 

Newer:Victor Cobo's Mechanism of EscapeOlder:Kristine Potter's Uncertain Masculinities
PostedOctober 14, 2014
AuthorJon Feinstein

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.