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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Anthem Number 12 © Doug Fogelson

Anthem Number 12 © Doug Fogelson

Doug Fogelson's Chemically Altered Landscape Photographs Reflect The Peril of Human Impact

Anthem, the latest installment of Doug Fogelson’s series Chemical Alterations uses chemically altered photographs of nature to comment on climate change and the destruction of the earth.

For the past few years, Chicago-based photographer Doug Fogelson has been making heavily saturated, almost-hallucinogenic images that respond to the peril of climate change. He photographs biologically diverse landscapes on analog film and subjects the negatives to industrial chemicals that make them morph, bleed and drip. The final prints retain varying degrees of the original nature scenes. In some, leafless trees battle the magenta and cyan-hued skies caused by Fogelson’s chemical burns. In others, abstraction takes over and no signs of the original scene remain. Fogelson asks viewers to do more than just marvel at technical tricks but to think carefully about their relationship to a quickly burning earth. While beautiful and inviting, they parallel the violence of human impact on the natural world and the Trump Administration’s erasure of policies that might help slow it down.

After his recent exhibition at Brooklyn, New York’s KlompChing Gallery, I spoke with Fogelson to learn more about his process and ideas.

Jon Feinstein in conversation with Doug Fogelson

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PostedNovember 7, 2019
AuthorJon Feinstein
CategoriesExhibitions, Artists
Tagslandscape photography, alternative process photography, Doug Fogelson, KlompChing Gallery, new photography, chemical alteration
#01 - Memphys. © Jana Sophia Nolle

#01 - Memphys. © Jana Sophia Nolle

An Artist Builds (and photographs) Structures for the Houseless in Living Rooms of the Wealthy

Photographer Jana Sophia Nolle takes a new, collaborative and empathetic approach to photographing and working with San Francisco’s houseless population.

Roughly .17 percent of the United States population is homeless ( source: https://endhomelessness.org/), or, more humanly stated, “unhoused” or “houseless.” San Francisco is witness to the third-highest unhoused population in the country, recently increasing by 17%. (editors note: we originally incorrectly listed this as 12% of the United States + SF population. We apologize for the typo.) Income disparity, sky-high rental rates, limited affordable housing, and a struggling social services network all exacerbate this chronic issue.

No one wants to ignore the most vulnerable among us. Yet, most of us feel overwhelmed in addressing such a challenge and the complex issues that inform it. Artist-activist Jana Sophia Nolle recognizes that collective uncertainty in addressing houselessness, and how to support those for whom this is a lived experience. In 2017, Nolle initiated Living Room, a project in which the temporary structures of people who are unhoused were re-created and photographed in the living rooms of housed San Franciscans.

I met Nolle during a Photo Alliance portfolio review earlier this year. The interview that follows unpacks questions about the participants: how they were approached and the delicate ethical balance she managed in working with people at opposite ends of the wealth spectrum; questioning the assumptions or biases about what leads to houselessness, and what role contemporary art has in addressing these issues.

Roula Seikaly in conversation with Jana Sophia Nolle

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PostedOctober 31, 2019
AuthorRoula Seikaly
CategoriesGalleries, Artists, Portfolio
Tagshomelessness, houselessness, photographing the homeless, collaborative art, San Francisco photographers, San Francisco photo alliance portfolio reviews, Roula Seikaly, Jana Sophia Nolle, Conceptual Art, Conceptual Photography
004_AP-PHOTOWORK_COVER_C1_HIRES-RGB.jpg

A New Book Highlights How 40 of Today's Most Prolific Photographers Build and Sustain a Successful Body of Work

Art dealer, curator and lifelong photographer-advocate Sasha Wolf speaks with Humble Arts Foundation about Photowork: her new book of informative, career-changing interviews.

Regardless of how you define “success," being a successful artist is hard. From making a truly cohesive body of work or writing a statement that resonates and cuts through the clutter of art speak, to marketing your work and getting buyers, curators and publishers to care about your work, it’s daunting. And with the onslaught of digital and visual noise, the challenges are ever-evolving.

In response to so many of these challenges, Sasha Wolf recently published Photo-Work: 40 Photographers on Process and Practice with Aperture, a collection of short, sweet, direct interviews with forty photographers crystalizing their key challenges, how they overcame them, and how they continue to iterate and pivot to help enrich and advance their process, practice, and careers. While the book doesn’t offer a simple salve – it shouldn’t – it’s a refreshing and much-needed conversation.

Jon Feinstein in conversation with Sasha Wolf.

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PostedOctober 24, 2019
AuthorJon Feinstein
CategoriesArtists, Publications, Photobooks
TagsAperture Books, Sasha Wolf, Advice for Photographers, photobooks, Alejandro Cartagena, Sasha Rudensky, Doug Dubois, Alec Soth, Catherine Opie, Matthew Connors, Dawoud Bey, Rinko Kawauchi, Kelli Connell
© Ashly Leonard Stohl

© Ashly Leonard Stohl

Ending the Stigma of "Mom Photography"

I can’t think of a parent who doesn’t obsessively photograph their kids. Sure, the photos often are out of focus, include the blur of a finger half-covering an iPhone lens or feel so manufactured-ly happy that we just can’t believe the moments are real, but they’re something we can’t quit.

Even more than whatever meal we feel compelled to immortalize.

For many parents, like photographer Ashly Leonard Stohl, it's a form of self-portraiture - a “portrait of parents” that reflect on how we see ourselves, our fears and reflections of our childhood projected on our children. Stohl’s latest book The Days Are Long & The Years Are Short, published by Peanut Press is the culmination of years of Stohl photographing her kids as a mirror to herself. It's also a response to how the challenges of motherhood are often omitted from public conversation. Stohl’s photos balance the cherished moments with the ones not outwardly discussed. Hunting for a Halloween costume while wearing a disdainful frown. How time can move painfully slow, yet evaporates before our eyes. The moments you don’t see in Parents Magazine.

As a photo-obsessed parent of a one-year-old, I’m drawn to Stohl’s eloquent and honest approach. We spoke to talk parenting and the unfortunate stigma of “Mom Photography".

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PostedOctober 18, 2019
AuthorJon Feinstein
CategoriesArtists, Publications, Portfolio, Photobooks
TagsAshly Leonard Stohl, Mom Photography, Documentary Photography, Peanut Press, Days and Years Book, photobooks
© Jane Deschner. From the series Remember Me.

© Jane Deschner. From the series Remember Me.

Jane Waggoner Deschner Stitches New Narratives Into Found Vernacular Photographs

For nearly twenty years, Jane Waggoner Deschner has been accumulating found vernacular photographic snapshots and studio portraits – her archive now exceeds 65,000 – and manipulating them to change how we understand their meaning and imagined histories.

Deschner’s techniques range from digital manipulation to painstaking hand embroidery, often stitching famous, dry or ironic quotes to create what she describes as a “satisfying, meditative intimacy with mechanically captured moments of unknown people’s lives.” Her collages and embroidery range from personal explorations and existential ruminations on death to political commentary and discussions of gender.

Her latest series, Remember me: a Collective Narrative in Found Words and Photographs, includes 700 found photographs embroidered with anecdotes culled from family and friend-written obituaries. For Deschner, this process illustrates a collective narrative that reminds us of how we are all connected.

Longtime fans of her work, we invited snapshot-collector-extraordinaire Robert E. Jackson to speak with Deschner about her process and ideas.

Robert E. Jackson in conversation with Jane Waggoner Deschner

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PostedOctober 10, 2019
AuthorRobert E. Jackson
CategoriesArtists, Portfolio
TagsJane Deschner, Jane Waggoner Deschner, Robert E. Jackson, Vernacular Photography, Found Photography, Snapshot Photography, Photography and death, artist interviews, photographer interviews
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.