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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Get This Photobook: Jon Horvath's This Is Bliss Looks at a Small Town as a Symbol of Personal and Political Idealism

The Photographer's forthcoming book, published by Yoffy Press and FW books contrasts the romanticization of the American West with present-day personal, cultural and political realities.

In 2013, Jon Horvath stumbled upon "Bliss" the population-of 300, rural Idaho town and metaphors were born. During a period of introspection, Horvath embarked on a series of photographs that reflect what he describes as "how entrenched mythologies of place and traditional mythologies of happiness collide." Breaking from voyeuristic explorations of small town America, This is Bliss is a search for marks of success, perfection, idealism and hope.

Horvath expresses this through an eclectic mix of color and black+white portraiture, sweeping landscapes and found imagery, ending in what feels like an existential ellipses without resolve. A few days shy of Horvath's Kickstarter fundraiser ending (have we said yet that you should get this book?) we caught up to learn more about his journey.

Jon Feinstein in conversation with Jon Horvath

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PostedNovember 15, 2021
AuthorJon Feinstein
CategoriesArtists, Art News, interviews, Photobooks, Portfolio, Publications
Tags2021 photobooks, Yoffy Press, FW: Books, Jon Horvath, Contemporary Landscape Photography, small town photography, new photography, photobooks, travel photography, roadtrip photography, Bliss, Bliss Idaho
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Elizabeth Ferrer's Illuminating History of Latinx Photography

The critic and photo historian’s critical volume Latinx Photography in the United States: A Visual History fills in knowledge gaps and cuts news paths in researching, collecting, and exhibiting Latinx photography.

“The impetus for this book is derived from a basic fact: by and large, Latinx photographers are excluded from the documented record of the history of American photography.” From the prologue’s first sentence, readers are alerted to the content and critical framework of Elizabeth Ferrer’s extraordinary first full-length book. In its form, Latinx Photography in the United States, published by University of Washington Press resembles familiar titles such as Naomi Rosenblum’s A World History of Photography, but the scope is decidedly more focused.

Over ten exhaustively researched and written chapters, Ferrer identifies primary themes - representations of self, family, and community, geographical influences, archives, and the fight for social justice - that motivate Latinx artists, and form a narrative that parallels the canonical story of American photography from which they’ve been excluded. It’s an absorbing read, and a must for students and teachers of photography.

Elizabeth Ferrer graciously agreed to speak with me about the origins of this book, the joyful work of contacting the artists whose work is included in the book, and laying to rest any notion that Latinx photographers are simply absent from the medium’s complicated history.

Roula Seikaly in conversation with Elizabeth Ferrer

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PostedSeptember 7, 2021
AuthorRoula Seikaly
Categoriesinterviews, Artists, Publications, Photobooks
TagsElizabeth Ferrer, Latinx photo history, history of photography, 2020 photobooks, photography education, Photography historians, Latinx Photography in the United States: A Visual History, University of Washington Press
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Mining The New York Public Library’s Alien Archive

Dana Stirling’s 2017 series and handmade photobook Property of The New York Public Library Picture Collection is a snapshot of a peculiar trove and vital resource.

In early August, we learned through artist Jason Fulford and this New York Times article that the New York Public Library administration made plans to remove its Picture Collection from circulation. The collection, often organized into folders or binders of images, has been an invaluable resource to artists, educators and the general public for years. It’s a trove of historical imagery - at times anonymous, often peculiar and magnetic to those obsessed with archival image culture, from Joseph Cornell to Larry Sultan and Mike Mandel, and Taryn Simon.

In 2017, after touring the collection with Fulford, artist, curator and co-founder of Float Magazine Dana Stirling began zeroing in on a binder of UFOs. The collection contains 300 images, from stark “portraits” of aliens you might recall from issues of the Weekly World News, to flying saucers and almost psychedelic-looking orbs implied to be “space-related.” What fascinated Stirling more than just the alien phenomena were 121 images within the collection methodically stamped with “Property of The New York Public Library Collection” on the face of the image.

“It became clear to me,” says Stirling, “that this stamp was more than just an odd archivist’s decision, and now an integral part of the image and its composition.” More than just a watermark or security note, the stamp became part of the image, an intervention that, for Stirling, altered the images’ meaning by imposing an “alien element.”

Amidst the uncertainty of the collection’s future (details on how you can help preserve its public-ness here), we caught up with Stirling to learn more about her project and importance of this vital and peculiar resource.

Jon Feinstein in conversation with Dana Stirling

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PostedAugust 11, 2021
AuthorJon Feinstein
Categoriesinterviews, Photobooks, Publications, Vernacular Photography
TagsDana Stirling, New York Public Library Image Archive, UFO photography, found photography, historical image archives, appropriation, pictures generation, Float magazine
© Tanya Marcuse from her new book Ink, published by Fall Line Press

© Tanya Marcuse from her new book Ink, published by Fall Line Press

Poetic Photographs Of Squid Ink Oozing Onto Pages of The NY Times

Tanya Marcuse’s new oversized book Ink, is a beautiful cacophony of form and symbolism.

One summer in Maine, photographer Tanya Marcuse’s son insisted they try nocturnal squid fishing. Moved by the uncanny spontaneity of the experience, Marcuse – who normally makes slow-process large format photographs – pulled out her iPhone and embarked on an unexpected series and way of seeing.

She began making similarly fleeting yet intricately crafted photos of squid spilling its ink across story titles, fashion advertisements, and marriage announcements. In each photograph, the squid, ink and newsprint become a painted, Rorschachy mess that pushes viewers to conjure their own relationships between ink and image, gesture and surface, headline and tentacle.

Marcuse’s images are both alluring and disquieting. These tableau-like still-life compositions reminds us of her background as a large-format photographer, and her iPhone brings a freeing informality to how she organizes form and space. Now a large-scale book (and limited edition folio, if you fancy) published by Fall Line Press, Ink takes on a new layer of tactility from its once digital-only existence – photos you want to hold and handle as you attempt to figure out their mystery. I spoke with Marcuse to learn more about her process and the story behind it.

Jon Feinstein in conversation with Tanya Marcuse

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PostedJuly 16, 2021
AuthorJon Feinstein
Categoriesinterviews, Artists, Art News, Publications, Photobooks, Portfolio
TagsTanya Marcuse, 2021 photobooks, Fall Line Press, squid ink photographs, squid ink painting, photographic tableaux, #shotonaniphone, iPhone photography, mobile photography, Rorschach photography
Brea Souders: Eleven Years. Published by Saint Lucy Books

Brea Souders: Eleven Years. Published by Saint Lucy Books

Brea Souders' New Photobook "Eleven Years" Spans Photography's Endless Possibilities

The artist’s first monograph brings together her wide ranging approach, process, and strategies to reimagine what a photograph can be, and what it might mean.

With the publication of Eleven Years by Saint Lucy Books, Brea Souders’ restless interrogation of the photographic medium and its materials is celebrated. Her inventiveness eschews signature style thus risking what conventional wisdom casually dictates, and gives license to perform an inquiry without formula and reliance upon the habitual. It is a methodology that foregrounds the thought process rather than the appearance, and siphons experience and observation into something unfamiliar.

The photographs cull from reservoirs of impermanence, illusion and shards of memory and grief, and engage the archive, map, the picture postcard; the fragment. Her process is nomadic rather than sedentary, cultivating a renewed understanding of the artist’s task.

A few weeks shy of the book’s release (and Souders’ opening reception and book launch at Silverstein Gallery) former SVA Photography and Video chair and Dear Dave Magazine founder and Editor in Chief Stephen Frailey speaks with Souders about the many angles of her career and practice.

Brea Souders in conversation with Stephen Frailey

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PostedJuly 1, 2021
AuthorStephen Frailey
CategoriesArt News, interviews, Photobooks, Publications
TagsBrea Souders, Stephen Frailey, Saint Lucy Books, 2021 Photobooks, Silverstein Gallery
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.