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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

© Ross Mantle

A Photographic Treasure Hunt With No End In Sight

Ross Mantle's Cryptic New Photobook Keeps Us Looking

There are often photos that elicit creative envy. The kind of photo with the punch and punctum to pull you in at first tug, but with enough grace to keep you looking and looking again. And to wish you’d taken it yourself. This photo above, with its gaping mix of absence and resolution resonates this way for me. It's one small piece of Misplaced Fortunes, Ross Mantle’s new book of photographs that feel like a magically convoluted puzzle.

Published by Sleeper Studio, Mantle’s first monograph is a meandering collection of visual clues with no clear solution. A found sculpture of a golden ear. Various references to holes - both literal and metaphoric. Anonymous gravestones leaning and waiting for repair. Bodies emerging from the woods. Faces obscured by sweatshirts or wisps of hair. Hints to treasures never to be found – riddles we might never decode.

I corresponded with Mantle to learn more about his mysterious new book.

Jon Feinstein in conversation with Ross Mantle

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PostedDecember 2, 2021
AuthorJon Feinstein
Categoriesinterviews, Photobooks, Portfolio
TagsRoss Mantle, Sleeper Studio, new photography, contemporary photography, 2021 photobooks, best photobooks of 2021

Get This Photobook: Jon Horvath's This Is Bliss Looks at a Small Town as a Symbol of Personal and Political Idealism

The Photographer's forthcoming book, published by Yoffy Press and FW books contrasts the romanticization of the American West with present-day personal, cultural and political realities.

In 2013, Jon Horvath stumbled upon "Bliss" the population-of 300, rural Idaho town and metaphors were born. During a period of introspection, Horvath embarked on a series of photographs that reflect what he describes as "how entrenched mythologies of place and traditional mythologies of happiness collide." Breaking from voyeuristic explorations of small town America, This is Bliss is a search for marks of success, perfection, idealism and hope.

Horvath expresses this through an eclectic mix of color and black+white portraiture, sweeping landscapes and found imagery, ending in what feels like an existential ellipses without resolve. A few days shy of Horvath's Kickstarter fundraiser ending (have we said yet that you should get this book?) we caught up to learn more about his journey.

Jon Feinstein in conversation with Jon Horvath

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PostedNovember 15, 2021
AuthorJon Feinstein
CategoriesArtists, Art News, interviews, Photobooks, Portfolio, Publications
Tags2021 photobooks, Yoffy Press, FW: Books, Jon Horvath, Contemporary Landscape Photography, small town photography, new photography, photobooks, travel photography, roadtrip photography, Bliss, Bliss Idaho
Alae (In the Mirror), Beirut, Lebanon, 2020 © Rania Matar

Alae (In the Mirror), Beirut, Lebanon, 2020 © Rania Matar

She: Rania Matar's Portraits of American and Middle Eastern Young Women Entering Adulthood

Mark Alice Durant speaks with renowned photographer Rania Matar about her new photography book published by Radius Books.

Rania Matar is a Lebanese-born photographer whose portraits, primarily of girls and women, in the Middle East and the U.S., have gained critical and popular attention internationally. Her fourth book, She, is being published by Radius Books this fall, for which I was honored to contribute an essay. I first saw Matar’s photographs in a solo exhibition in 2016, titled Invisible Children, that presented portraits of refugee children on the streets of Beirut. I was struck by the simplicity and clarity of her imagery, yet also moved by the complex political subtext.

The history of photography is shaped by portraiture. It is the most rudimentary of photographic relationships––one person points a camera at another. From that simple arrangement has grown an enormous archive of formal and informal images, providing a sense of who we are, individually and collectively. What distinguishes a complex portrait from a photo made for a passport? What elevates mere likeness into an image that resonates?

Like many great portraitists before her, from August Sander to Seydou Keita, Matar, first and foremost, respects and honors her subjects. And in doing so, Matar has expanded the spectrum of human representation. She describes her portrait sessions as collaborations; that collaborative spirit, combined with her intuitive sense of light and sensitivity to the architectural and cultural space that surrounds us, has produced an extraordinary body of work. Matar’s solo exhibition, which shares its title with the book opens October 23rd at Robert Klein Gallery.

Mark Alice Durant in conversation with Rania Matar

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PostedOctober 18, 2021
AuthorMark Alice Durant
Categoriesinterviews, Artists, Exhibitions, Photobooks
TagsRania Matar, Mark Alice Durant, Lebanese photographers, women photograph, portraits of women, photography and the middle east, photography and adolescence, Radius Books, 2021 photobooks, new photography, documentary photography, contemporary photographic portraiture
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Elizabeth Ferrer's Illuminating History of Latinx Photography

The critic and photo historian’s critical volume Latinx Photography in the United States: A Visual History fills in knowledge gaps and cuts news paths in researching, collecting, and exhibiting Latinx photography.

“The impetus for this book is derived from a basic fact: by and large, Latinx photographers are excluded from the documented record of the history of American photography.” From the prologue’s first sentence, readers are alerted to the content and critical framework of Elizabeth Ferrer’s extraordinary first full-length book. In its form, Latinx Photography in the United States, published by University of Washington Press resembles familiar titles such as Naomi Rosenblum’s A World History of Photography, but the scope is decidedly more focused.

Over ten exhaustively researched and written chapters, Ferrer identifies primary themes - representations of self, family, and community, geographical influences, archives, and the fight for social justice - that motivate Latinx artists, and form a narrative that parallels the canonical story of American photography from which they’ve been excluded. It’s an absorbing read, and a must for students and teachers of photography.

Elizabeth Ferrer graciously agreed to speak with me about the origins of this book, the joyful work of contacting the artists whose work is included in the book, and laying to rest any notion that Latinx photographers are simply absent from the medium’s complicated history.

Roula Seikaly in conversation with Elizabeth Ferrer

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PostedSeptember 7, 2021
AuthorRoula Seikaly
Categoriesinterviews, Artists, Publications, Photobooks
TagsElizabeth Ferrer, Latinx photo history, history of photography, 2020 photobooks, photography education, Photography historians, Latinx Photography in the United States: A Visual History, University of Washington Press
Dana Stirling_UFO_19.jpg

Mining The New York Public Library’s Alien Archive

Dana Stirling’s 2017 series and handmade photobook Property of The New York Public Library Picture Collection is a snapshot of a peculiar trove and vital resource.

In early August, we learned through artist Jason Fulford and this New York Times article that the New York Public Library administration made plans to remove its Picture Collection from circulation. The collection, often organized into folders or binders of images, has been an invaluable resource to artists, educators and the general public for years. It’s a trove of historical imagery - at times anonymous, often peculiar and magnetic to those obsessed with archival image culture, from Joseph Cornell to Larry Sultan and Mike Mandel, and Taryn Simon.

In 2017, after touring the collection with Fulford, artist, curator and co-founder of Float Magazine Dana Stirling began zeroing in on a binder of UFOs. The collection contains 300 images, from stark “portraits” of aliens you might recall from issues of the Weekly World News, to flying saucers and almost psychedelic-looking orbs implied to be “space-related.” What fascinated Stirling more than just the alien phenomena were 121 images within the collection methodically stamped with “Property of The New York Public Library Collection” on the face of the image.

“It became clear to me,” says Stirling, “that this stamp was more than just an odd archivist’s decision, and now an integral part of the image and its composition.” More than just a watermark or security note, the stamp became part of the image, an intervention that, for Stirling, altered the images’ meaning by imposing an “alien element.”

Amidst the uncertainty of the collection’s future (details on how you can help preserve its public-ness here), we caught up with Stirling to learn more about her project and importance of this vital and peculiar resource.

Jon Feinstein in conversation with Dana Stirling

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PostedAugust 11, 2021
AuthorJon Feinstein
Categoriesinterviews, Photobooks, Publications, Vernacular Photography
TagsDana Stirling, New York Public Library Image Archive, UFO photography, found photography, historical image archives, appropriation, pictures generation, Float magazine
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.