In late November, 2008, shortly after the economic crisis and Black Friday, the largest shopping day of the year, photographer and curator John Saponara was perplexed by the pervasive negativity surrounding consumer culture. "For me," says Saponara, "this lent itself to a weird vision of a dystopian society where consumers fight it out over cheap flat screen's and X-box's." That same year, Jdimytai Damour, a temporary security guard at a Walmart on Long Island was trampled to death in a shopping stampede the morning after Thanksgiving. After discussions with Joerg Colberg and photographer Nina Berman about this senseless death and its loss in the shuffle of a 24-hour news cycle, Saponara launched Picture Black Friday, an annual call to photographers to create a visual document and interpretation of the day each year. Although Saponara never expected to convince people to completely stop shopping on Black Friday, he hoped the project would raise awareness of what he, and many see as its frivolity and emptiness. "I think the work that was made for Picture Black Friday held a mirror to the country to show them what was happening." He says. "While I never expected to get people to completely stop shopping on Black Friday, I do think it raised awareness." The annual call, which ran from 2009-2014 was juried by photo editors, curators and photographers including Amy Stein, Stephen Frailey, Brian Ulrich, Liz Lapp, Ruben Natal San-Miguel and Joerg Colberg. "I pulled together a few photo people I know within the industry," says Saponara, "whom I felt represented a good cross-section of photography, to judge the images that were submitted and off we went." While the project has been on hold since 2014, we've culled together a look-back to some of the strongest Black Friday images to help keep his tradition alive.
Tandem 2014 © Manon Wertenbroek
For the past 6 years, Foam has consistently showcased some of the most promising new photography. Like the PDN 30, and The Museum of Modern Art's annual New Photography exhibition (both of which show a range of strong work, but haters love to hate), Foam’s editors have an uncanny eye for new voices in photography, and their annual Talent issue has been known to predict these photographers' success year after year (read about last year's issue here.) While past "Talents" have included now-household names like Alex Prager, Jessica Eaton, Lucas Blalock and Sam Falls, this year’s survey continues its showcase of inventive work ranging from Aaron Blum's calm Appalachian narratives to Sara Cwynar's cathartic mingling of still life and collage. The exhibition Foam Talent 2015 will be open at l’Atelier Néerlandais in Paris through December 20th, 2015
We reached out to Foam’s Deputy Director of Artistic Affairs, Marcel Feil to learn more about his selection process, and what really constitutes “Talent.”
© Dan Boardman
At first glance, Dan Boardman’s new series 2014 might appear to be a digital mash-up of sampled cartoons, images jacked from Google searches, and stock photography outtakes. In our current era where photographic truth is often more commonly questioned than taken for granted, it’s easy to assume his work contains some level digital manipulation, perhaps commenting on its permeation into so many facets of everyday life. But Boardman’s playful melted creations are surprisingly made by hand, painstakingly, in camera, with barely any adjustments in Photoshop, and reference vintage cinematic tricks more than those associated with any proclaimed “digital revolution.” These images, which can appear cut up, composited, and sometimes broken into 4-panel grids, ultimately address his ideas about photography’s ability to authentically represent reality, while reawakening his own affinity to the medium.
Latitude 47 is a new annual photography magazine published by Seattle’s Photographic Center Northwest. Conceived and directed by Minor Matters Books founder and PCNW Executive Director Michelle Dunn Marsh, and renowned photographer and PCNW Programs Chair Eirik Johnson, Latitude 47 aims to bring the refined work and tight community of Northwest photographers to the rest of the world. While online content marketing (i.e. your favorite photo blogs) has done a great job of democratizing work of many artists, this traditional method of getting work in front of influencers promises to give Northwest photographers a larger footprint on the map. We spoke with Eirik Johnson about the project and ideas behind its first issue, which includes work from Seattle photographers and photo-based artists Canh Nguyen, Susan Robb, Glenn Rudolph, and Serrah Russell.
© The Collection of Robert E. Jackson
Lurking in Robert E. Jackson's collection of more than eleven thousand American snapshots are some of the most peculiar photographs of ordinary people posing for the camera in their Halloween "best." Culled from anonymous family photographs found in auctions and other carefully selected archives, Jackson's eye for the curious and absurd remains unrivaled. "I am interested in the dark side of snapshots, " says Jackson, " and what they tell us about our deepest fears and motivations. There is a voyeuristic side to collecting which searching for Halloween photos brings out. It is the hidden which attracts."
So behold 13 of Jackson's unsettling Halloween gems. See more on his Instagram feed, or learn more about his practice in an interview we conducted earlier this year.