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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
© Amy Parrish

© Amy Parrish

Sleeping Through America: Amy Parrish's Quiet Take on the American Road Trip

A new photographic series travels the American landscape with an unexpected gaze.

Amy Parrish’s Place I Slept is an ongoing series of photographs made while driving across the North American landscape. It’s a project countless photographers have made for more than a century, often as some kind of “rite of passage,” often by bro-tographers like Ansel Adams set to profess their freedom by claim the land with their cameras. Parrish’s work is different. It’s quieter, lonesome, and solitary. Places I Slept, is, as the title clearly suggests, a personal portrait of America as illustrated thru a constellation of beds, cars, and twilighted landscapes. Having moved back and forth from India some years ago, Parrish walks the line between native explorer and tourist, struggling with where she fits, the cultures she’s adapted to, and whether she feels like she can call this now unfamiliar terrain home. I spoke with Parrish to learn more.

Amy Parrish in conversation with Jon Feinstein

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PostedApril 11, 2019
AuthorJon Feinstein
CategoriesArtists, Portfolio, Publications
TagsAmy Parrish, Road Trip Photography, Places I Slept
Cis-Stock.jpg

FoxNews' Tucker Carlson Fights Stock Photography "Diversity Fascism" – Launches 'Cis-Stock,' a Photo Agency Exclusively for White Men

A new stock photography website champions white masculinity.

April 1st, 2019 9:45am, EST

Responding to last week’s launch of Zackary Drucker’s trans-positive stock photo library and an increased presence of women and diverse cultures in stock photography agencies like Getty Images and Shutterstock, Fox News fraternity brother Tucker Carlson has launched Cis-Stock, a new stock photography collection comprised entirely of photos of heterosexual caucasian men. The agency promises to deliver a counter balance to Drucker’s initiative, Getty’s 2013 Lean In collection, and what Carlson describes as a “libtard-cuck, Benetton-ization visual narrative.”

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PostedApril 1, 2019
AuthorEditors
CategoriesArtists, Publications
TagsTucker Carlson, Stock Photography, Shutterstock, April Fools
© Kyle Berger

© Kyle Berger

Kyle Berger May Be The Most "Whoa" Inducing Photographer on Instagram

Berger's photographs feel like instant punctum but there’s layers upon layers to absorb.

If you’re active on Instagram, you’ve likely been struck by Kyle Berger, aka @kyyyyyyyyyyyyyyyyyyyyle’s instant-woah photos of owls, raccoons, eagles, fast food signs and other animals, people, and objects thrown jarringly into suburban landscapes. Golden arches loom ominously behind flash-blasted foliage. Flames smoke and engulf a lone black sedan on a thruway. A bear sneaks up on a smiling baby from behind a tree. In all of Berger’s photos, there’s something humorously off. They’re intentionally unreal – at once creepy and funny, throwing light jabs at the absurdity of contemporary suburbia and declining strip mall culture.

Most of Berger's photos are digitally altered, but, like KangHee Kim aka @TinyCactus, Laura Hendricks aka @hav_house, and countless others, representing “truth” or having a photo “look real” is irrelevant. I spoke with Kyle to learn more.

Jon Feinstein in conversation with Kyle Berger

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PostedMarch 28, 2019
AuthorJon Feinstein
CategoriesArtists, Portfolio
TagsKyle Berger, new photography, tinycactus, KangHee Kim, Laura Hendricks, Jon Feinstein, Humble Arts Foundation, HAFNY
Adeline in Barrettes, 2018 © Micaiah Carter

Adeline in Barrettes, 2018 © Micaiah Carter

Micaiah Carter's Achingly Poetic Portraits

To celebrate her new representation of Micaiah Carter, acclaimed art advisor Sarah Hasted speaks with the photographer about his lyrical portraits of celebrities and everyday people.

The first time I saw the photography of Brooklyn based artist Micaiah Carter in the fall of 2016 at Parsons School of Design, I knew he was going to be successful. A self described recluse, he was not social in college, he just put his head down and quietly got to work. Mentoring and guiding him through his senior year was one of the true joys of my long teaching career. The unique gift that 30 years of experience in the art world and 16 years teaching at one of the most prestigious art schools in the world has given me, is the ability to spot artistic talent and potential – immediately.

Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic - a modern day combination of Roy DeCarava’s poetic, lyrical, emotional photographs - and the proud, regal and formal portraits by Harlem Renaissance photographer, James Van Der Zee - all of them achingly beautiful.

The work is soft hued with a 1970’s tone and vibe that pay homage to his family history and father’s scrapbook. In some works, Micaiah consciously references his father’s early life and dated fashion and with total reverence, creates exquisite, inspired images, that can only be interpreted as stunning.

Sarah Hasted in conversation with Micaiah Carter

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PostedMarch 19, 2019
AuthorSarah Hasted
CategoriesPortfolio, Artists
TagsMicaiah Carter, contemporary portraiture, celebrity portraiture, new photography, Solange, Sarah Hasted, Parsons School of Design
APR-66-Wisteria © Chinn Wang

APR-66-Wisteria © Chinn Wang

Chinn Wang Conceals and Reveals Her Family's Hidden History

Recent 93rd Annual Print Center exhibition finalist Chinn Wang cuts up and recasts her family’s photos to make sense of their missing pieces.

It’s like the classic riddle: what casts a shadow but cannot be seen? In Soaking Up Local Color, Chinn Wang’s solo show at Philadelphia’s Print Center, the answer might be something like “the past” or “history” or “family heritage.” The child of immigrant parents who purposefully chose to focus on their American future instead of sharing their family histories with their daughter, Wang addresses this gap in knowledge and representation in a haunting visual manner. The works on display are screen-printed enlargements of photographs of Wang’s mother, newly on American soil soon after she immigrated from Hong Kong in the 1960s in a variety of settings: a field of flowers by a mountain, the gravel of a parking lot, the manicured grass of a lawn.

Exhibition Review by Deborah Krieger

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PostedMarch 14, 2019
AuthorDeborah Krieger
CategoriesExhibitions, Artists
TagsThe Print Center Philadelphia, 93rd ANNUAL International Competition Solo Exhibitions, Chinn Wang, Deborah Krieger, Photo Collage, The Age of Collage, Soaking up Local Color, Vintage Photographs, Found Photographs, Family Photographs, Vernacular Photography, 2019 Photography Exhibitions
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.