Adeline in Barrettes, 2018 © Micaiah Carter
To celebrate her new representation of Micaiah Carter, acclaimed art advisor Sarah Hasted speaks with the photographer about his lyrical portraits of celebrities and everyday people.
The first time I saw the photography of Brooklyn based artist Micaiah Carter in the fall of 2016 at Parsons School of Design, I knew he was going to be successful. A self described recluse, he was not social in college, he just put his head down and quietly got to work. Mentoring and guiding him through his senior year was one of the true joys of my long teaching career. The unique gift that 30 years of experience in the art world and 16 years teaching at one of the most prestigious art schools in the world has given me, is the ability to spot artistic talent and potential – immediately.
Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic - a modern day combination of Roy DeCarava’s poetic, lyrical, emotional photographs - and the proud, regal and formal portraits by Harlem Renaissance photographer, James Van Der Zee - all of them achingly beautiful.
The work is soft hued with a 1970’s tone and vibe that pay homage to his family history and father’s scrapbook. In some works, Micaiah consciously references his father’s early life and dated fashion and with total reverence, creates exquisite, inspired images, that can only be interpreted as stunning.
Sarah Hasted in conversation with Micaiah Carter