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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
APR-66-Wisteria © Chinn Wang

APR-66-Wisteria © Chinn Wang

Chinn Wang Conceals and Reveals Her Family's Hidden History

Recent 93rd Annual Print Center exhibition finalist Chinn Wang cuts up and recasts her family’s photos to make sense of their missing pieces.

It’s like the classic riddle: what casts a shadow but cannot be seen? In Soaking Up Local Color, Chinn Wang’s solo show at Philadelphia’s Print Center, the answer might be something like “the past” or “history” or “family heritage.” The child of immigrant parents who purposefully chose to focus on their American future instead of sharing their family histories with their daughter, Wang addresses this gap in knowledge and representation in a haunting visual manner. The works on display are screen-printed enlargements of photographs of Wang’s mother, newly on American soil soon after she immigrated from Hong Kong in the 1960s in a variety of settings: a field of flowers by a mountain, the gravel of a parking lot, the manicured grass of a lawn.

Exhibition Review by Deborah Krieger

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PostedMarch 14, 2019
AuthorDeborah Krieger
CategoriesExhibitions, Artists
TagsThe Print Center Philadelphia, 93rd ANNUAL International Competition Solo Exhibitions, Chinn Wang, Deborah Krieger, Photo Collage, The Age of Collage, Soaking up Local Color, Vintage Photographs, Found Photographs, Family Photographs, Vernacular Photography, 2019 Photography Exhibitions
© Dan Boardman

© Dan Boardman

Dan Boardman's Delightfully Confusing and Surprisingly Analog In-Camera Photo Collages

At first glance, Dan Boardman’s new series 2014 might appear to be a digital mash-up of sampled cartoons, images jacked from Google searches, and stock photography outtakes. In our current era where photographic truth is often more commonly questioned than taken for granted, it’s easy to assume his work contains some level digital manipulation, perhaps commenting on its permeation into so many facets of everyday life. But Boardman’s playful melted creations are surprisingly made by hand, painstakingly, in camera, with barely any adjustments in Photoshop, and reference vintage cinematic tricks more than those associated with any proclaimed “digital revolution.” These images, which can appear cut up, composited, and sometimes broken into 4-panel grids, ultimately address his ideas about photography’s ability to authentically represent reality, while reawakening his own affinity to the medium. 

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PostedNovember 12, 2015
AuthorJon Feinstein
CategoriesArtists
TagsDan Boardman, Photo Collage, Film Photography, Abstract Photography, SAD Gallery Seattle, Large Format Photography, collage

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.