Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Photos © Meron Menghistab

Photos © Meron Menghistab

Life After Prison: Reclaiming Identity Through Photographic Portraiture and First-Person Narratives

A photographer, photo editor, and formerly incarcerated author discuss the power of words and photos to reclaim life and identity.

The United States has a larger prison population than any other country in the world, with over 2 million people living behind bars. But it’s also staggering to look at the state-by-state numbers. At the beginning of 2020, Washington State had nearly as many incarcerated individuals as Sudan, a developing country that has five times as many citizens. Despite Washington’s legislature being run by progressive-identifying Democrats, many deeply entrenched barriers face people after they leave prison, which contributes to joblessness, homelessness, and recidivism.

Washington has largely abolished parole, and like many U.S. states, the average length of a felony sentence has dramatically increased since the early 2000s. “Many prisoners are spending longer and longer periods of time in prison and a growing number of these prisoners will die behind bars,” according to the ACLU of Washington. In most democratic countries, a long sentence is considered to be one or two years, and a sentence beyond 10 years is extremely rare.

For those who get out of prison in Washington State, one route to avoid recidivism is the education system. A college degree can re-level the playing field for someone with a felony conviction, opening doors that might have seen permanently shut. This path often starts while still in prison: Students behind bars earn their GEDs and take university-level courses. In December, Congress struck a deal to reinstate federal Pell Grants to incarcerated college students, a tuition resource that had been prohibited since the 1994 crime bill.

Last summer, University of Washington Magazine's photo editor Quinn Russell Brown commissioned Meron Menghistab to photograph 10 men and women who earned college degrees from the University of Washington after getting out of prison. Menghistab, named one of 2020’s 30 New and Emerging Photographers to Watch, is an editorial and commercial photographer known for putting his subjects at ease and creating quiet, moving portraits. As project manager for the feature, Brown also hired Omari Amili, a formerly incarcerated author, to recruit and interview the 10 people featured in the story.

Following the feature for University of Washington Magazine, Brown, Menghistab, and Amili connected to discuss this intimate and empowering project from the perspective of the photo editor, photographer, and interviewer.

Quinn Russell Brown, Meron Menghistab, and Omari Amili in conversation.

Read more …
PostedFebruary 2, 2021
AuthorQuinn Russell Brown, Meron Menghistab, and Omari Amili
Categoriesinterviews
Tagslife after prison, Omari Amili, Meron Menghistab, Quinn Russell Brown, prison industrial complex, 30 Emerging Photographers to Watch, contemporary portraiture, empathetic portraiture, portraits as empathy, editorial portraiture, The Lit List
J.B. about men floating in the ait, 2015 © Julia Borissova

J.B. about men floating in the ait, 2015 © Julia Borissova

A New Photobook Ponders the Human Body from Helplessness to Transcendence

Mark Alice Durant’s latest book, Running, Falling, Flying, Floating, Crawling, published by his imprint Saint Lucy Books aggregates more than 50 contemporary, historical and vernacular photographers who use representations of the body as symbols of uncertainty, distress, humor, and dissonance. In Tabitha Soren's Dave, it’s terror – a man runs across a New York City street looking up in fear. For those who were alive at the time, we might conjure 9/11 imagery. A nation at war in constant panic.

In William Lamson’s Sublunar No. 23, it’s fun, conceptual, and performative. A group of white-suited maybe-astronauts, maybe-daredevils bounce a helmeted body off a makeshift trampoline into a deep black sky beckoning viewers to maybe laugh, maybe smile, and maybe scratch our heads. In Rania Matar’s Alae, Khiyam Lebanon, a Lebanese Muslim woman sits in a stream, almost cradling it, almost sleeping.
Yet it's clear she is collaborating with the photographer to convey calm and vulnerability.

Durant invited some of photography's most prominent curators, poets, and critics to respond to these images and offer context and meaning apart from the series to which they belong. It’s a book you’ll want to sit with for a while, one that will continue to evolve as we understand these images as stand-ins for an increasingly confusing and uncertain world.

I spoke with Durant to learn more about his thinking on this thoughtfully existential project.

Jon Feinstein in conversation with Mark Alice Durant

Read more …
PostedJanuary 28, 2021
AuthorJon Feinstein
CategoriesPhotobooks, Artists
Tags2021 Photobooks, Mark Alice Durant, Saint Lucy Books, vernacular photography, running falling flying floating crawling book
© Dionne Lee

© Dionne Lee

Traversing A Never-Neutral American Landscape

Touch and Go, Dionne Lee’s commissioned installation for the City of Berkeley’s Cube Space, curated by Leila Weefur, looks at the American landscape as a site of danger, survival, and inherited trauma.

Dionne Lee repurposes images from 1970s-90s wilderness survival manuals, rephotographing and printing them as large format collages that cover the street-visible gallery walls. Outdoor enthusiasts or former Boy Scouts and Girl Scouts may be familiar with such manuals, which now read as quaint, pre-Internet information sources. For others, the imagery and instructions feel like a foreign language – our minds and tongues stumble to speak and understand. Blown out landmarks and wilderness survival tools don’t meet their intended function as guides, but register as impotent, abstract forms. Lee’s layered compositions undermine the idea that landscape is innately knowable or neutral territory.

Exhibition review by Roula Seikaly

Read more …
PostedJanuary 26, 2021
AuthorRoula Seikaly
CategoriesExhibitions, Artists
TagsDionne Lee, Cube Space San Francisco, new photography, landscape collage, Roula Seikaly, Leila Weefur, photographic installation, public art
Enclave, 2020. © Hannah Altman from the series Indoor Voices

Enclave, 2020. © Hannah Altman from the series Indoor Voices

Open Call: Group Show #67 - Embracing Stillness

Humble’s next online photography exhibition, curated by Sara Urbaez and Jon Feinstein, contemplates the quiet moments that add texture to our lives.

The world often feels like it’s spinning out of control. Amidst the thunder of the pictures illustrating that world, photography can also lend us some calm, some peace, some time to meditate on nuance. When we’re inundated with immediate, pulsing imagery every day on our social media timelines and tv screens; how do we honor the moments between the chaos?

This is an invitation to embrace stillness. Embrace the way the light filters through your window in the morning. The meditative relief a deep breath brings after a long day. The imperfect smile of someone you love.

We’re looking for images across photographic genres that highlight the unexpected moments of wonder, encapsulate comfort and calm, and bring balance to the human experience.

Show us something we might not expect.

Deadline: March 1, 2021

GUIDELINES: (please read calmly and carefully)

Read more …
PostedJanuary 22, 2021
AuthorEditors
CategoriesOpen Call, Exhibitions
Tagsphotography open calls, Sara Urbaez, Listo, Jon Feinstein, Humble Arts Foundation Open Calls, quiet pictures, Hannah Altman, contemporary photography, photo opportunities
Jake and Gray © Fazilat Soukhakian

Jake and Gray © Fazilat Soukhakian

A Struggle Between Faith and Love

Fazilat Soukhakian's portraits of LGBTQ+ couples in Utah show the conflict between religious and sexual identity and the pursuit to be treated as "normal."

When Fazilat Soukhakian moved from Iran to Utah, she was surprised to find similar cultural discrimination against LGBTQ+ individuals. While there are clear differences – the Iranian government still punishes queerness with the death penalty – the shared experience of suppression, alienation, and banishment struck a chord.

Soukhakian observed the Church of Jesus Christ of Latter-day Saints' pervasive cultural power in Utah, which creates deep dilemmas for LGBTQ+ individuals with Mormon backgrounds who struggle between maintaining their faith and acting on their desires.

“Despite the church’s teachings,” she writes, “they are determined in their pursuit of love, each taking their own path by either enduring through the scrutiny of their surroundings or taking a step away from the church.” Many of these individuals have a complicated relationship reconciling both identities.

Soukhakian’s new series Queer In Utah aims to normalize LGBTQ+ relationships in a religious and cultural landscape that won’t have them. Playing off family portrait tropes found in the households of many Utah heterosexual couples, she highlights each couple's pursuit of love and joy within a culture that wants to suppress them.

After meeting at PhotoNola’s annual portfolio reviews in December, I contacted Soukhakian to learn more about her work.

Jon Feinstein in conversation with Fazilat Soukhakian

Read more …
PostedJanuary 19, 2021
AuthorJon Feinstein
CategoriesPortfolio, Galleries
TagsFazilat Soukhakian, Queer in Utah, homophobia in the Mormon chuch, religion and sexuality, Contemporary Portraiture, new photography, Utah photographers, photographer interviews
Newer / Older

Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.