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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
© Dionne Lee

© Dionne Lee

Traversing A Never-Neutral American Landscape

Touch and Go, Dionne Lee’s commissioned installation for the City of Berkeley’s Cube Space, curated by Leila Weefur, looks at the American landscape as a site of danger, survival, and inherited trauma.

Dionne Lee repurposes images from 1970s-90s wilderness survival manuals, rephotographing and printing them as large format collages that cover the street-visible gallery walls. Outdoor enthusiasts or former Boy Scouts and Girl Scouts may be familiar with such manuals, which now read as quaint, pre-Internet information sources. For others, the imagery and instructions feel like a foreign language – our minds and tongues stumble to speak and understand. Blown out landmarks and wilderness survival tools don’t meet their intended function as guides, but register as impotent, abstract forms. Lee’s layered compositions undermine the idea that landscape is innately knowable or neutral territory.

Exhibition review by Roula Seikaly

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PostedJanuary 26, 2021
AuthorRoula Seikaly
CategoriesExhibitions, Artists
TagsDionne Lee, Cube Space San Francisco, new photography, landscape collage, Roula Seikaly, Leila Weefur, photographic installation, public art
Enclave, 2020. © Hannah Altman from the series Indoor Voices

Enclave, 2020. © Hannah Altman from the series Indoor Voices

Open Call: Group Show #67 - Embracing Stillness

Humble’s next online photography exhibition, curated by Sara Urbaez and Jon Feinstein, contemplates the quiet moments that add texture to our lives.

The world often feels like it’s spinning out of control. Amidst the thunder of the pictures illustrating that world, photography can also lend us some calm, some peace, some time to meditate on nuance. When we’re inundated with immediate, pulsing imagery every day on our social media timelines and tv screens; how do we honor the moments between the chaos?

This is an invitation to embrace stillness. Embrace the way the light filters through your window in the morning. The meditative relief a deep breath brings after a long day. The imperfect smile of someone you love.

We’re looking for images across photographic genres that highlight the unexpected moments of wonder, encapsulate comfort and calm, and bring balance to the human experience.

Show us something we might not expect.

Deadline: March 1, 2021

GUIDELINES: (please read calmly and carefully)

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PostedJanuary 22, 2021
AuthorEditors
CategoriesOpen Call, Exhibitions
Tagsphotography open calls, Sara Urbaez, Listo, Jon Feinstein, Humble Arts Foundation Open Calls, quiet pictures, Hannah Altman, contemporary photography, photo opportunities
Jake and Gray © Fazilat Soukhakian

Jake and Gray © Fazilat Soukhakian

A Struggle Between Faith and Love

Fazilat Soukhakian's portraits of LGBTQ+ couples in Utah show the conflict between religious and sexual identity and the pursuit to be treated as "normal."

When Fazilat Soukhakian moved from Iran to Utah, she was surprised to find similar cultural discrimination against LGBTQ+ individuals. While there are clear differences – the Iranian government still punishes queerness with the death penalty – the shared experience of suppression, alienation, and banishment struck a chord.

Soukhakian observed the Church of Jesus Christ of Latter-day Saints' pervasive cultural power in Utah, which creates deep dilemmas for LGBTQ+ individuals with Mormon backgrounds who struggle between maintaining their faith and acting on their desires.

“Despite the church’s teachings,” she writes, “they are determined in their pursuit of love, each taking their own path by either enduring through the scrutiny of their surroundings or taking a step away from the church.” Many of these individuals have a complicated relationship reconciling both identities.

Soukhakian’s new series Queer In Utah aims to normalize LGBTQ+ relationships in a religious and cultural landscape that won’t have them. Playing off family portrait tropes found in the households of many Utah heterosexual couples, she highlights each couple's pursuit of love and joy within a culture that wants to suppress them.

After meeting at PhotoNola’s annual portfolio reviews in December, I contacted Soukhakian to learn more about her work.

Jon Feinstein in conversation with Fazilat Soukhakian

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PostedJanuary 19, 2021
AuthorJon Feinstein
CategoriesPortfolio, Galleries
TagsFazilat Soukhakian, Queer in Utah, homophobia in the Mormon chuch, religion and sexuality, Contemporary Portraiture, new photography, Utah photographers, photographer interviews
© Amani Willett. From A Parallel Road

© Amani Willett. From A Parallel Road

The American History of Driving While Black

Amani Willett’s new book A Parallel Road challenges the glamorized narratives of the American road trip with experiences shaped by fear and violence.

The American road trip is a privileged photographic and literary rite of passage. Coming of age on the open road, it's largely a trope of carefree travel primarily enjoyed by white Americans. Photographers Robert Frank and Jacob Holdt, whose work pointed to racial, economic, and social inequality in the American landscape, did so with unfettered access – without fear of racist violence. And while Frank, who was Jewish, was likely in danger of antisemitic attacks, his ability to pass as white made his experience far less vulnerable.

A Parallel Road, published by Overlapse Books, offers an alternate history, traversing many Black Americans' experiences driving on American roads for the past 85 years. Based on conversations with friends and family about their histories, he pairs archival illustrations, maps, and vernacular images with his own photographs to present a haunting picture that raises new questions with every page. As the United States continues to see state-sanctioned violence against people of color on the road, A Parallel Road asks how long it will remain an expanse of terror.

I spoke with Willett to learn more about his experience, and to dive deeper into the process behind making the book.

Jon Feinstein in conversation with Amani Willett

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PostedJanuary 11, 2021
AuthorJon Feinstein
CategoriesPhotobooks, Artists, Art News
TagsAmani Willett, A Parallel Road, Driving while Black in the United States, Green Book, Overlapse Books, photobooks, photography and race in America, Roy DeCarava
“Las Sirenas” september 2020.  In memory of Cristina who passed of covid-19 in May 2020, Cypress Atlas poses,  recreating the 1984 Sleep It Off album cover by Jean-Paul Goude. set assistance by Morgan Landry. © a.r. havel

“Las Sirenas” september 2020. In memory of Cristina who passed of covid-19 in May 2020, Cypress Atlas poses, recreating the 1984 Sleep It Off album cover by Jean-Paul Goude. set assistance by Morgan Landry.
© a.r. havel

A Colorful Theater of the Absurd

New Orleans-based photographer and set-designer a.r. havel’s work is a kitsch and quarantine-soaked memoir to teenage dreams.

Havel’s references upon references upon references create theatrical transparency in photographic collaboration.

A portrait of a confident young woman poses with a guitar, looking like Liz Phair in a room of candles, chandeliers, and a green plastic almost rave-wear style visor. A re-creation of the cover of no-wave artist Cristina’s 1984 album Sleep It Off becomes a shrine to her after she was taken by Covid earlier this year. A nude male figure reclines across a table, “come-hither”-y gazing at the camera and viewers with a nod to high school painting class – a muse who’s in on the joke. Theatre sets drip with magenta hues.

I met a.r. havel in early December for PhotoNola’s annual portfolio reviews. In our 20-minute art-speed date lightning round, his work stood out for its playful sincerity. “Fascinated by the power of queer and radical community resilience,” his work shows the mechanics behind his process, his deep love for pop-culture and art history, and photography’s ability, during these uncertain times, to be both cathartic and fun.

Jon Feinstein in conversation with a.r. havel

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PostedDecember 30, 2020
AuthorJon Feinstein
CategoriesArtists
TagsAaron Richmond-Havel, New Orleans photographers, New Orleans Artists, NOLA Artists, NOLA Photographers, Performance art and photography, art during Covid19, staged photography, contemporary portraiture, photographic tableaux, kitsch in photography, Liz Phair
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.