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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
VOTE. © Ashima Yadava

VOTE. © Ashima Yadava

#PhotographersVote: A Photo Community Movement to Get Out The Vote

Encouraging US photographers to promote and celebrate the power of voting.

The 2020 election is critical to the United States’ future, to improving BIPOC and LGBTQ lives, responding to the climate crisis, improving global relations, and countless other issues. Voting isn’t a magic pill but it is a step toward progress.

The photo community is working together to support and encourage Americans to vote this fall and we’d love to see what voting means to you.

How it works: Use your Instagram feed to share images that tell a visual story about why you're voting in 2020, and include the hashtag #PhotographersVote #Vote2020 on your Instagram post.

Between now and the election, we, and many of the growing list of partners listed below will share images that catch our eyes on our respective IG feeds - always with credit.

Read more …
PostedOctober 8, 2020
AuthorEditors
CategoriesOpen Call
Tags#photographersvote, rock the vote, vote2020, photography and voting, FlakPhoto, Humble Arts Foundation, PhotographersVote
© Marissa Alper

© Marissa Alper

Portraits of Holocaust Survivors and Their Grandchildren

Marissa Alper’s ongoing photography series focuses on the beauty of the lives created by those who survived the Holocaust, with parallels to today’s rise of fascism in the United States.

For many Holocaust survivors and their descendants, Hitler’s atrocities are a haunting specter. Telling and recording their stories is crucial to preserving their memories and helping generations forward learn from history’s mistakes. This holds true for photographer Marissa Alper, who has been photographing her grandmother and other Holocaust survivors with their grandchildren.

Alper’s portraits, while cast in the shadow of atrocity, celebrate life and perseverance and focus on the strength and beauty of those who escaped and lived on. The survivors are often smiling, framed by warm light, presenting their grandchildren as proof of survival.

Yet Alper's photographs also sit within the increasingly grim haze of Trump’s America. For Alper, today’s political climate feels eerily reminiscent of the emergence of Fascism in Hitler’s Germany (ICE camps and forced hysterectomies, demonizing BLM protestors, systemic racism, and Trump’s refusal to accept potential election results…)
“It feels like we didn’t learn from the past,” writes Alper, “and we’re letting those who survived down.”

Alper’s series is currently on hold to protect the health and safety of the survivors. We caught up to discuss its current state and dig deeper into the story behind the work.

Jon Feinstein in conversation with Marissa Alper

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PostedOctober 1, 2020
AuthorJon Feinstein
CategoriesArtists, Portfolio
TagsMarissa Alper, Holocaust survivors, shoah, portraits of Holocaust survivors
Infinite Essence: "James" 2018 © Mikael Owunna

Infinite Essence: "James" 2018 © Mikael Owunna

Astro-Black Mythology: In Conversation with Mikael Owunna

Mikael Owunna discusses the richness of his photo series Infinite Essence

"The trope of the Black body as a site of death is everywhere," writes Mikael Owunna. "Being gunned down by police officers, drowning and washing up on the shores of the Mediterranean, starving and suffering in award-winning photography," these images permeate mainstream news, our social media feeds and are a constant stream of visual trauma. For Owunna, these images became a catalyst to transfigure the Black body from a site of death and state violence to transcendent eternal beings.

In 2017, Owunna began Infinite Essence, a series of glowing, ethereal photographs that elevate Black bodies to the cosmos. Owunna paints his models with fluorescent paint and uses his engineering background to enhance a standard flash with an ultraviolet bypass filter rendering only ultraviolet light. The resulting images expose viewers to what they might not otherwise see: a metaphor for the beauty, joy, and power of Black life that is often omitted from popular narratives. Infinite Essence is a haven – a safe space from centuries of systemic oppression. Owunna's muses are floating, content, and infinitely secure.

I spoke with Owunna to learn more.

Jon Feinstein in conversation with Mikael Owunna

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PostedSeptember 24, 2020
AuthorJon Feinstein
CategoriesArtists
TagsInfinite Essence, Mikael Owunna, contemporary portraiture, African cosmology, new photography, astro black mythology
“There’s No Such Thing As Normal.” Taken from Carnal Knowledge, Prestel, 2020.  Photo © Elizabeth  Renstrom

“There’s No Such Thing As Normal.” Taken from Carnal Knowledge, Prestel, 2020.
Photo © Elizabeth Renstrom

This Photobook is the Sex Education You Missed in High School

Zoe Ligon and Elizabeth Renstrom's new book Carnal Knowledge (Prestel, September 2020) updates and normalizes sex education - a topic that is still sensitive in 21st century America. For many Americans, it’s a subject that was excluded from the core curriculum and is vital to our overall health and happiness.

Longtime friends Zoe Ligon and Elizabeth Renstrom are a writer and photographer dream team. Ligon brings years of experience as a sex educator, journalist, and performer to this project in seven sharply-crafted chapters that address everything you've ever wanted to know about sex. This ranges from the basic human anatomy and the importance of healthy relationships to sex toys and supporting sex worker rights. Renstrom's vivid, 90s aesthetic-influenced photographs complement the hilariously frank text.

Without further delay…

Roula Seikaly in Conversation with Zoe Ligon and Eizabeth Renstrom

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PostedSeptember 17, 2020
AuthorRoula Seikaly
CategoriesPhotobooks, Artists, Art News, Galleries
Tagssex education, Elizabeth Renstrom, Zoe Ligon, sex ed, Carnal Knowledge book, 2020 Photobooks, photobooks, Prestel Publishers
© Kimberly Acebo Arteche

© Kimberly Acebo Arteche

Using Art to Understand Grief and Personal History

Kimberley Acebo Arteche's Palo Maiden reflects the artist's research of indigenous Filipino art forms and her embrace of BDSM practices in overcoming trauma.

Artist and activist-educator Kimberley Acebo Arteche is committed to decolonizing art institutional practices and foregrounding emerging Asian Pacific and BIPOC artists. A San Franciscan by way of Baltimore, Maryland, Arteche's earliest creative curiosities included searches for indigenous Philippine art on the then-burgeoning internet. Seeking context and connection to her far-away family, Arteche began to understand colonialism's insidious effect as manifest in racist and misogynistic portrayals of Pinay women.

I got to know Kim while curating the 2018 exhibition Betweenscapes with Dr. Kathy Zarur. Since then, I've hoped to speak with her about what motivates her creatively. When I saw early selections from Palo Maiden previewed on Instagram, I reached out to Kim to learn more about this new series. In Humble Art's second video interview, Kim and I chat about grief as an underlying and dimensional theme in her work, BDSM practices as a vehicle for healing, and what she's working on during quarantine.

Roula Seikaly in conversation with Kimberley Acebo Arteche

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PostedSeptember 10, 2020
AuthorRoula Seikaly
TagsKim Acebo, Kimberly Acebo Arteche, Roula Seikaly, Artist Interviews
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.