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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

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Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
God and War (Inheritance). © Shane Rocheleau

God and War (Inheritance). © Shane Rocheleau

New Photobook Casts Brooding Shadow on American Masculinity: A Conversation With Photographer Shane Rocheleau

"White American masculinity is a construct," writes Shane Rocheleau about his latest book You Are Masters Of The Fish And Birds And All The Animals. "It is the subtext in detergent and power tool ads, crystallized at football games and in sermons...it undergirds our politics and religiosity, and permeates our homes. And it’s scary." Rocheleau's book, which was published by Gnomic Books earlier this year, is a collection of three years of photographs sewn into a somber, poetic meditation on the pitfalls of contemporary American male identity.

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PostedJuly 24, 2018
AuthorJon Feinstein
CategoriesArtists, Portfolio, Publications
TagsShane Rocheleau, Masculinity, American Masculinity, New Photography, photobooks, 2018 photobooks
Oscar, Tivoli, New York, March 11, 2017. © Stephen Shore.

Oscar, Tivoli, New York, March 11, 2017. © Stephen Shore.

Two Photography Open Calls: Humble Cats at Photoville and Group Show #58: On Death

We're excited to announce two open calls with August deadlines:
Humble Cats at Photoville in NYC in September, and Humble's next online exhibition: Group Show #58: On Death. Details below!

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PostedJuly 20, 2018
AuthorEditors
CategoriesExhibitions, Open Call, Publications
Tagsopen call, cat photography, Stephen Shore, Rachelle Mozman, Humble Cats, Yoffy Press, Photoville, Weruva, no fee open call
"Guide to Happiness" © Jessica Pettway

"Guide to Happiness" © Jessica Pettway

"The Lit List" Presents a Diverse List of 30 Photographers to Watch, Exhibit, and Hire Right Now

Lack of cultural and gender-based diversity has been a problem in the art and photography world for years. Despite many positive, forward-thinking exhibitions, programs, and platforms dedicated to changing this, many of the major photo competitions, "photographers-to-watch" lists, and photographer mastheads in major publications are overwhelmingly white and male. Sure, there are exceptions – and a number of ongoing efforts to change this – but the scales, especially in magazine publishing and major commercial shoots, are still tipped.

Frustrated with the slow pace to progress, photographer, writer, and curator Oriana Koren, alongside her collective The Authority Collective, developed "The Lit List," a merit-based, 30-strong selection of female, trans, non-binary, people of color, and otherwise marginalized photographers who they believe are not getting the attention they deserve. To be announced in August 2018 and exhibited at Photoville in Brooklyn, NY, the final list of 30 will be pared down from a 50-photographer shortlist based on 200 initial nominations made over the past few months. The jury is comprised of industry decision-makers of color and allies including Zora J Murff of Strange Fire Collective, Paloma Shutes of California Sunday magazine, Siobhán Bohnacker of The New Yorker, and Noelle Flores-Theard of Magnum Foundation.

Excited, hopeful, and equally frustrated with Humble's own tortoise-crawl towards equal representation, I spoke with Oriana Koren to learn more about the inspiring project.  Throughout this interview, we've included some of our favorite images from the photographers being considered. 

Jon Feinstein in conversation with Oriana Koren.

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PostedJuly 12, 2018
AuthorJon Feinstein
CategoriesPortfolio, Publications, Galleries, Artists
TagsThe Lit List, The Authority Collective, New Photography, Best photography of 2018, diversity in photography, Jessica Pettway, Aisha Mugo, Eloisa Lopez, Maria del Rio, Gabriella Angotti Jones, Jared Soares, Kayla Reefer, Tavish Timothy
© Megumi Shauna Arai

© Megumi Shauna Arai

Artist Combines Photography, Sculpture and Japanese Rope Straw as an Open-ended Metaphor for her Bi-racial Identity

In her latest exhibition, Midst, Megumi Shauna Arai uses soft, subtle metaphors to address the many, often ambiguous layers of her Jewish and Japanese heritage. 

While trained as a photographer, Megumi Shauna Arai often combines sculpture, fibers, and exercises with culturally significant materials to emphasize this splintering complexity. Her latest exhibition, Midst at Seattle's Jacob Lawrence Gallery is a series of photographs of bodies suspended in water exhibited amidst three installations referencing Japanese folk practices for honoring sacred space. In a piece in one room titled "did you not know, I was waiting for you?" a hobo bag with elements of Japanese stitching stands propped up in cinder blocks like flowers in a makeshift vase. In another piece titled "Interior Frontiers," sets of rice straw rope resembling a crown of thorns hang from the ceiling and entryway and wrap around the entire space. In another piece, "  simultaneously (the border of a great belonging)," a similar rope connects two small boulders like a tin can telephone, but hangs loosely without the tension one might expect.

While each piece in the show has a very specific origin, there is an open-ended-ness that allows viewers to float through the gallery and gather their own meaning. I spoke with the artist to learn more about her process of making the work, and how her own sense of identity fits into it all. 

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PostedJune 28, 2018
AuthorJon Feinstein
CategoriesExhibitions, Artists, Galleries
TagsMegumi Shauna Arai, New photography, Seattle Photographers, Seattle Artists, Jacob Lawrence Gallery
© Daniel W. Coburn, Untitled, work from “Becoming a Specter”, 2018, Archival pigment prints, 16” x 20”, Edition of 12, The Print Center, Philadelphia

© Daniel W. Coburn, Untitled, work from “Becoming a Specter”, 2018, Archival pigment prints, 16” x 20”, Edition of 12, The Print Center, Philadelphia

Becoming a Specter: Daniel W. Coburn's Photographs Present a Shadowy Image of Fear, Longing and Self Preservation

Daniel W. Coburn's photographs confront the tension between the artist's inner narrative what's projected to the outside world.

Daniel W. Coburn’s Becoming a Specter, on view at Philadelphia’s Print Center through August 4th, is purposefully restrictive and subtle. The artist demonstrates how the elimination of color in a photograph can make the deepest blacks and brightest whites – and everything in between – so vivid and tactile that you don’t miss color at all. And that's exactly what Becoming a Specter does.

The exhibition consists of twelve untitled photographs, four to a wall, in an alcove gallery space on the second floor. Predominantly images of people, they all seem to deliberately capture the split-second moment where nothing looks particularly real as if the subject and photographer have come together on an inhalation. 

Exhibition review by Deborah Krieger

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PostedJune 21, 2018
AuthorDeborah Krieger
CategoriesExhibitions, Artists, Galleries
TagsDaniel W. Coburn, The Print Center Philadelphia, Contemporary Photography, Photography and the self, 2018 Photography exhibitions, Photography exhibition reviews
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.