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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
Queen Mary, 2017 © Alanna Airitam

Queen Mary, 2017 © Alanna Airitam

Alanna Airitam Reframes The Golden Age

San Diego-based photographer Alanna Airitam describes her urge to produce The Golden Age, a series of monumental photographic portraits that celebrate African American and African Diasporan identity and counters their omission from visual narratives in much of western art history, as unrelenting. Friends and acquaintances agreed to sit for Airitam, who situates her subjects in lush sartorial and environmental settings that recall the personal and material abundance portrayed in Dutch Renaissance portraits. Working photographically, rather than with oil paint, the artist creates a forum in which we’re invited to consider matters including identity, consumption, and who is celebrated. 

Humble Arts Foundation senior editor Roula Seikaly spoke with Airitam about the project’s origin, relatable vulnerability between photographer and sitter, and challenging both stereotypes and the impermanence of popular culture through familiar media forms such as portraiture. 

Interview by Roula Seikaly

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PostedAugust 31, 2017
AuthorRoula Seikaly
CategoriesArtists, Portfolio
TagsAlanna Airitam, The Golden Age, Dutch Portraiture, African American Diaspora, Dutch Renaissance, Roula Seikaly
© Lorraine Terrell, Covanta, Camden, 2016

© Lorraine Terrell, Covanta, Camden, 2016

A Massive Mix of Work in Philadelphia Photo Arts Center's 2017 Members' Exhibition

With any large group exhibition, having many different artist submissions accepted is both a curatorial blessing and a challenge. On one hand, every conceivable juxtaposition of works has the potential to tell a truly exciting story, while on the other, it can be an obstacle to figure out where some outliers should be displayed, whether they be outliers in terms of quality or subject matter. The Philadelphia Photo Arts Center Members Show, up earlier this month in the Crane Building, is a good example of the logistical and artistic difficulties inherent in working with so many diverse voices, styles, and subjects, even within the singular medium of photography.

Exhibition Review by Deborah Krieger

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PostedAugust 29, 2017
AuthorDeborah Krieger
TagsPPAC, Philadelphia Photo Arts Center
© Anthony Gerace

© Anthony Gerace

Anthony Gerace's Meticulous Collages Rearrange Time and History

For nearly a decade, London-based artist Anthony Gerace has been making inspired collages with ultimate precision. Pulling material from the 1920s through the 1950s, Gerace cuts, pulls apart, and reassembles past remnants into sometimes humorous, sometimes disconcerting compositions, often using a grid as a psychological and organizational tool. He recently worked with Aint-Bad to publish And Another Thing, a collection of this work from the past seven years, which he describes as being less of an anthology, and more of "meditation on the nature and physicality of the medium as well as an individual piece of work in its own right." I contacted Gerace to learn more. 

Interview by Jon Feinstein

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PostedAugust 25, 2017
AuthorJon Feinstein
CategoriesArtists, Publications
TagsAnthony Gerace, Collage, London artists, Aint Bad Books
© Elinor Carucci

© Elinor Carucci

Scholarly Exhibition Explores the Pioneering Role of Women Using Color in Photography

Color photography can trace its earliest roots to Anna Atkins' mid-nineteenth century botanical cyanotypes. While camera-less, her adoption of the process has led many to consider her to be the world's first female photographer.

Curator, historian and artist Ellen Carey's latest exhibition "Women in Colour," on display through September at New York City's Rubber Factory gallery, uses Atkins' legacy to trace the lineage of women working with color photography through present day. Hinging on the recent discovery of tetrachromacy, the hypothesis that women are genetically prone to better discern color than men, Carey uses this exhibition to ask how that might impact female photographers' decision to work in color and hopes to gain recognition for their often under-exposed work. I spoke with Ellen Carey to learn more about the ideas behind her research and exhibition. 

Interview by Jon Feinstein

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PostedAugust 17, 2017
AuthorJon Feinstein
CategoriesExhibitions, Artists, Galleries
TagsEllen Carey, Women in Colour, Color Photography, Women in Photography, Marion Berlanger, Patty Carroll, Elinor Carucci, Amanda Means, Liz Nielsen, Meghann Riepenhoff, Carrie Mae Weems
© Virginia Wilcox

© Virginia Wilcox

Looking Outward: Robert Lyons' Unconventional Approach to Curating This Year's Hartford Photography MFA

Thesis shows aren’t usually hung salon-style. At most schools, students' experiences and interests differ, so each typically gets a few feet of wall space for themselves with the hope that their work can live in harmony with its neighbors. Inexorably, contexts clash. It’s always precarious. Even Hartford’s Photography MFA program lived by that mantra for its first few years, as the program's founder and director Robert Lyons explained to me, until 13, this year’s thesis exhibition at Joseloff Gallery in Hartford Connecticut. Lyons also curated the show, although he affirmed everyone had a voice the decision. It really is quite courageous of them all.

Exhibition Review by Romke Hoogwaerts

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PostedAugust 8, 2017
AuthorRomke Hoogwaerts
CategoriesExhibitions, Artists
TagsRita Baunok, Ben Brody, Charles Byrne, Zach Callahan, Matthew Genitempo, Garrett Grove, Kelly Lynn James, Seth Johnson, Kevin Kunstadt, Emma Phillips, Tamara Reynolds, Andrew Waits, Virginia Wilcox, 2017 Photography MFA, Hartford MFA, Romke Hoogwaerts
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.