Time Magazine associate photo editor Myles Little has organized an internationally touring exhibition 1%: Privilege in a Time of Inequality, that attempts to raise awareness of the growing disparity of wealth around the world. Using Edward Steichen's 1955 exhibition and book The Family of Man as a launch point, Little aims to use the work of some of today's most acclaimed photographers to create a contemporary conversation about inequality. Little positions his exhibition in contrast to Steichen's, which presented an optimism towards the human spirit. For Little, the vast disproportion of today's wealth has harmed humanity with grave consequence. While these words and the exhibition title might suggest a collection of weighted, potentially propagandistic images, Little's selection contains a thoughtful mix of work that is as soft-spoken as it is hard-hitting, which will hopefully help it to speak to a broad and diverse audience. We spoke with Myles to learn more about the exhibition, and the book he'll publish with Hatje Cantz if successfully funded through a Kickstarter campaign.
"The Future of Photography" is a vaguely loaded gun. Curators, ourselves included, love buzzy prompts like "Let's push boundaries," "Show us something new..." and other leading terms that hope for the next big thing. While we'd grandiosely expect every open call to expose us to uncharted ideas, we're keeping this one simple: show us something "F*cked Up."
We'll leave this open to your interpretation. Whether it's a purely mind bending visual experience that leaves us seizing in our studios, or documentary work that pushes into the unknown, we want to see it. Show us photography-based work that will make us blink and twitch like never before. And maybe even lose our lunch.
UPDATE: DEADLINE EXTENDED TO MONDAY DEC 22!
We're pleased to announce that Humble Arts Foundation's co-founder Jon Feinstein will be jurying New Space Center for Photography's annual themed exhibition: Radical Color opening in Portland, Oregon this February.
Nearly 50 years ago photographers such as William Eggleston, Helen Levitt, William Christenberry, Stephen Shore, and Joel Sternfeld helped encourage a conservative art world to accept color photography within the greater dialogue of fine art. Since then, a tremendous number of photographers have produced inspiring, thoughtful bodies of color work. Jeff Wall, Rineke Dijkstra, Thomas Ruff and many others working in the late 1980’s onward, introduced a new level of excitement for color images, encouraged a “bigger is better” mentality, and helped further transform the dialogue with the fine art world.
With the recent history of color photography as a reference point, this open call seeks to exhibit work from a current generation of color photographers. While color pioneers like Shore may have used it as a means of achieving a purely descriptive truth, how does today’s digital and internet-raised generation push its boundaries and use color with new intents? How are photographers using color-specific, digital tools to innovate, go beyond and reassess the idea of description? With this open call, we’re looking for work that grips, excites, and makes us want to understand color with new eyes.
DEADLINE: Submissions are due by 6pm PDT on Friday, December 19, 2014.
ENTRY DETAILS
Each entry costs $40 (free for Newspace Members at the Spy Camera Level and above) and may contain up to five images. You may submit as many entries as you like. All entries must be submitted using the online entry system at this link. CD entries will not be accepted.
Please size your images as 72 dpi jpg files that are 10 inches in their longest dimension. Each jpg file must be titled with your last name, first initial, ‘underscore’ and the entry number. For instance the first image uploaded by Mike Smith would be SmithM_1.jpg
EXHIBITION DETAILS
Selected artists will be notified by early January and posted on our website. Selected images will be on display in the Newspace gallery February 6, 2015 through March 1, 2015, with an opening reception Friday, February 6, 2015 from 6-9pm. The exhibition will also be featured on the Humble Arts Foundation Website.
Trans dans looks to both the eroticization of objects while simultaneously expanding into the possibility of empathy for and the agency of inanimate vessels. This project addresses the expansive properties of "trans" whether we speak to culture, biology, agency, spirituality or language.
The body of material in Studio Work was developed during Paul Sepuya's 2011-2012 artist residency at the Studio Museum in Harlem. The project is both a volume of photographs—formal portraits, loose snapshots, still-lifes and details of the his studio space—and an ongoing and variable installation composed of those materials accumulated in the studio, tracing the artist’s occupation and photo-making from the beginning to the end of the residency.