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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Brea Souders and Ina Jang's Collaborative 50-Photo Installation Reimagines The Chinese Board Game "GO"

The Chinese board game Go, invented over 2,500 years ago, is an abstract strategy game in which two players vie to occupy more territory than their opponent. Using black and white stones, players take turns grabbing up empty spaces on the board, trying to fill as much space as possible or knock each other off by surrounding each other’s stones on all sides. It’s also the basis for artists Ina Jang and Brea Souders – a collaborative duo working under the name “Coramu” – latest exhibition, curated by Yael Eban at Tiger Strikes Asteroid Gallery in Bushwick, NY.

Souders and Jang use the structure of the game to create a competitive photographic dialogue. Images, all printed at the same size, are exhibited in two competing parallel lines stretching around the gallery’s perimeter. While the majority of the images are in ultra-saturated color, each row corresponds to the competing “black” and “white” pieces of the game, and range from wildly abstract to mountainous landscapes, commercially-lit portraits and still lifes of cigarette packages. It’s not always clear whose photos are whose, but the competition to surround and overtake is a constant.

Brea, Jang (aka Coramu) and I corresponded to discuss everything from board games and photo collaborations to the splintering evolution of “post-photography.”

Jon Feinstein in conversation with Brea Souders and Ina Jang.

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PostedAugust 19, 2019
AuthorJon Feinstein
CategoriesGalleries, Exhibitions, Artists
TagsBrea Souders, Ina Jang, Coramu, Yael Eban, artist collaborations, photographer collaborations, A New Nothing, post-photography, Go Boardgame, Tiger Strikes Asteroid Gallery, Bushwick Galleries, New photography
The Dream of Sustainability © Osceola Refetoff

The Dream of Sustainability © Osceola Refetoff

A New Exhibition Elevates Vision-Board Kitsch into Futuristic Prophecy

The Vision Board, currently on view at Los Angeles’ Kopeikin Gallery, uses photography, painting and other media to elevate “vision board” beyond the kitschy kind of thing you make for your soon-to-be-disregarded New Year’s Resolution. Curated by participating artist Elizabeth Valdez, the show is a powerful display of the necessity of the creative mind, and its unique, unfettered capabilities when it comes to envisioning the future.

Exhibition review by Deborah Krieger

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PostedAugust 15, 2019
AuthorDeborah Krieger
CategoriesExhibitions, Artists
TagsOsceola Refetoff, Bettina Hubby, Erica Rothenberg, Guy Richard Smit, Nina Katchadourian, Katie Shapiro, Nancy Buchanan, Deborah Krieger, Paul Kopeikin
Wes Mills © Raymond Meeks

Wes Mills © Raymond Meeks

Raymond Meeks' "Sonder" Captures The Tension Between Youth and Adulthood

Sonder, Raymond Meeks’ first exhibition at Casemore Kirkeby in San Francisco through August 17, 2019 features multiple projects centering on youth, adulthood, and the experiences that link them.

Exhibition Review by Roula Seikaly

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PostedAugust 7, 2019
AuthorRoula Seikaly
CategoriesExhibitions, Galleries, Artists
TagsRaymond Meeks, Roula Seikaly, Casemore Kirkeby Gallery
Neither here nor there (000000 - ffffff) © Ariel C. Wilson

Neither here nor there (000000 - ffffff) © Ariel C. Wilson

Ariel C. Wilson's (Im)materially Material Photographs Reflect the Limits of Representation

Ariel C. Wilson is a photographer and educator currently based in West Virginia. While presenting her work on the main stage at the SPE national conference in March, Wilson posed a simple but provocative question: where does the photographic image end, and the page begin?

Wilson’s series To See From Somewhere builds on the artist’s broad and overlapping interests: image materiality, or the lack of it; the role of accident or happenstance in one’s creative practice, resisting the limits imposed by representationalism, and abstraction as a means to recognize systems of inequality in and outside the art world.

After seeing Wilson speak at SPE, we spoke about her unique approach to non/image making.

Roula Seikaly in conversation with Ariel C. Wilson

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PostedJuly 29, 2019
AuthorRoula Seikaly
CategoriesArtists, Portfolio
TagsAriel C. Wilson, Roula Seikaly, New Photography, SPE Conference, Post photography, Abstract Photography
18_Blake_Andrews.jpg

Blake Andrews Photographs Life's Weird, Funny, Strange (and often snarky) Moments

In 2013 when Humble relaunched after a temporary hiatus, I invited Blake Andrews to participate in one of our first online shows on the new platform: “New Directions in Street Photography.” I was drawn to Blake’s ability to both fit within the traditional definitions of the genre (decisive moment, no manipulation, etc) yet break the tropes that have continued to hold much of the genre back. He was (and still is) just a dude capturing the ragged magic of life as it happened. In photo after photo, chance aligns to create strange fictions in every day life. The way a baby’s head cradled in its fathers arms, photographed near a toddler walking by can create and amalgamation of a species. Or how someone’s legs on a body dressed in all black walking down a street, when hit with the right beam of sun, can look like just a pair of legs walking down the street with no body at all. It’s weird, funny and strange with the right amount of snark to keep me looking.

After missing each other multiple times in real life, I got in touch with Blake over email to learn more about what drives him to make pictures.

Jon Feinstein in conversation with Blake Andrews

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PostedJuly 11, 2019
AuthorJon Feinstein
CategoriesArtists, Portfolio
Tagsblake andrews, street photography, in-public, decisive moment, black and white photography
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.