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Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2

Humble Arts Foundation

New Photography
Stories and interviews
Submit
Info
Subscribe About Contact The Team
Online Exhibitions
Group Show 70: Under the Sun and the Moon Group Show 69: Photo for Non-Majors (part 2) Group Show 69: Photo for Non-Majors (part 1) Group Show 68: Four Degrees Group Show 67: Embracing Stillness Group Show 66: La Frontera Group Show 65: Two Way Lens Group Show 64: Tropes Gone Wild Group Show 63: Love, Actually Group Show 62: 100% Fun Group Show 61: Loss Group Show 60: Winter Pictures Group Show 59: Numerology Group Show 58: On Death Group Show 57: New Psychedelics Group Show 56: Source Material Group Show 55: Year in Reverse Group show 54: Seeing Sound Group Show 53: On Beauty Group Show 52: Alternative Facts Group Show 51: Future Isms Group Show 50: 'Roid Rage Group Show 48: Winter Pictures Group Show 47: Space Jamz group show 46: F*cked Up group show 45: New Jack City group show 44: Radical Color group show 43: TMWT group show 42: Occultisms group show 41: New Cats in Art Photography group show 40: #Latergram group show 39: Tough Turf P. 2/2 group show 39: Tough Turf P. 1/2
In Honor of Syrian Refugees © Azin Seraj

In Honor of Syrian Refugees © Azin Seraj

Legal Tenders: Artist Azin Seraj Looks at the Imagery and Iconography of Bank Notes with A Critical Lens

Azin Seraj is an Iranian-Canadian artist currently based in northern California. Her research-based practice – driven by video, photography, and lush installations that combine visual and sonic elements – addresses socio-political concerns through a transnational lens.

In mid-2018, I collaborated with San Francisco-based curator and educator Dr. Kathy Zarur to include Seraj’s project Concurrency in the our exhibition Betweenscapes. Zarur and I spoke with Seraj about her work and social practice methodologies that help support communities and activist networks as they strive for concrete change.

Roula Seikaly and Dr. Kathy Zarur in conversation with Azin Seraj

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PostedOctober 25, 2018
AuthorRoula Seikaly
CategoriesArtists, Galleries, Exhibitions, Portfolio
TagsJamala al-Baidhani Madeeha Al Musawi Asma Jahangir Farkhunda Malikzada Naji al Jerf Ahed Tamimi Kermanshah Earthquake Palestinian Resistance Syrian Civil War Syrian Refugees, Jamala al-Baidhani, Madeeha Al Musawi, Asma Jahangir, Farkhunda Malikzada, Naji al Jerf, Ahed Tamimi, Kermanshah Earthquake, Palestinian Resistance, Syrian Civil War, Roula Seikaly
Clear Perplexities from the series “ Aqueous” © Elina Ruka

Clear Perplexities from the series “ Aqueous” © Elina Ruka

Elina Ruka Photographs the Mystery and Mutability of Water

Artist’s first Philadelphia solo show examines water’s power to both attract and push away.

On October 5th, Latvian artist Elina Ruka’s solo show “Immersion” opens at Philadelphia’s Gravy Studio and Gallery, marking her first solo show in the city. The recipient of an MFA in Photography from Columbia College Chicago, Ruka uses numerous media, including photography, installation, video, and sound, to create tranquil and curious works of art. Addressing themes ranging from her impressions of the United States, her memories of Latvian life, and the never-ending mystery and mutability of water, Ruka’s art is both highly emotive beneath the smooth surface, creating an irresistible tension between what we show off and what we choose to keep hidden. Deborah Krieger speaks with the artist in advance of her opening.

Deborah Krieger in conversation with Elina Ruka

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PostedOctober 5, 2018
AuthorDeborah Krieger
CategoriesExhibitions, Artists, Galleries
TagsElina Ruka, Gravy Gallery, New Photography, Photography about water, art about water, Deborah Krieger, Latvian artists, 2018 photography exhibitions
Melania Trump, 2018 © Bean Gilsdorf. Velvet, cotton, polyester, chenille brocade, wood, paint; approx. 66x 37 x 29 in.

Melania Trump, 2018 © Bean Gilsdorf. Velvet, cotton, polyester, chenille brocade, wood, paint; approx. 66
x 37 x 29 in.

Soft Power – State Dinner: Bean Gilsdorf's Latest Exhibition Uses Objects and Found Images to Rethink How We See and Understand the Role of First Ladies

Bean Gilsdorf is an interdisciplinary artist, critic, and editor based in Portland, Oregon. In late July 2018, her solo exhibition State Dinner opened at Cincinnati, Ohio's Anytime Department. The installation reveals a three-year examination of female political figures - First Ladies who served in the last thirty years more precisely - and how “soft power” is both produced and mediated by mass media imagery.

HAF Senior Editor Roula Seikaly spoke with Gilsdorf about image sourcing from history books, covert political power and how it is exerted, and crafting three-dimensional objects that convey the public personas of women we think we know but do not.  

Roula Seikaly in conversation with Bean Gilsdorf

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PostedSeptember 6, 2018
AuthorRoula Seikaly
CategoriesExhibitions, Artists, Galleries
TagsBean Gilsdorf, Installation Art, Mixed Media, Soft Power, State Dinner Exhibition, Art in Cincinnati, New Photography, Appropriation, political art, Roula Seikaly
Photo © Dave Jordano

Photo © Dave Jordano

Refreshing the Map: How Andy Adams is Changing the Perception of Contemporary Midwest American Photography

Wisconsin photography exhibition highlights 10 Midwest photographers you need to know. 

There's a rapidly-expiring misconception that in order to "make it" in the art and photography world, one has to live in New York City, London, Los Angeles or another dense metropolitan area. The most world-renowned museums, institutions and bluest of the blue-chip commercial galleries reside there alongside those who can afford to buy art and support artists' careers. The trope of the "art-world-hustle" is most commonly attributed to making it in New York City. In the United States specifically, with the exception of Chicago, there's often a "fly-over" attitude towards the Midwest. 

For Wisconsin-born and raised producer, curator, founder of FlakPhoto and champion of all things photographic, Andy Adams, these assumptions – while first limiting – were not a problem, but an opportunity to fill a lack and make something new. Andy too, grew up thinking he'd need to make a pilgrimage to one of the coasts to find success but stayed put, using his various digitally-driven projects to build an influential community of photographers from around the world. This September, Adams narrows his focus to Midwest photographers with the exhibition at Madison Wisconsin's James Watrous Gallery aptly titled "New Midwest Photography." The show is a survey of 10 photographers living and working in Missouri, Illinois, Wisconsin, Iowa, and Ohio. It's a broad range of approaches and subject matter, but what brings them all together is the photographers' blending of, in Adam's words "personal observation and regional knowledge to produce photography that reflects the contemporary American Midwest."

The exhibition opens September 7th and is on view through October 28. 

I emailed Andy to learn more about what's fueling this exhibition and his larger curatorial practice.

Jon Feinstein in conversation with Andy Adams

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PostedAugust 30, 2018
AuthorJon Feinstein
CategoriesExhibitions, Artists, Galleries
TagsAndy Adams, New Photography, New Midwest Photography, Midwest Photographers, Dave Jordano, Clarissa Bonet, Barry Phipps, Tytia Habing, Jon Horvath, Jess Dugan, Julie Renee Jones, Nathan Pearce, Lindley Warren, Jason Vaughn, James Watrous Gallery, Overture Center for the Arts, Flak Photo, FlakPhoto, Photography exhibitions, group shows
Vision, 2018 © Rachel Stern

Vision, 2018 © Rachel Stern

Theater of the Absurd: Staged Photographs Reflect Witchcraft, Trumpism, and The Crucible

Rachel Stern's latest photographic series, More Weight uses Arthur Miller's classic play as a metaphor for the chaos of present-day media, culture, and politics. 

"More weight," Giles Corey's famous last words spoken while stones were being piled upon him at the end of Arthur Miller's The Crucible is a historical symbol of resistance to the tyranny of the Salem witch trials. Philadelphia-based photographer Rachel Stern uses these words as the title for her latest exhibition – on view at Brandeis University through October 26th – a metaphor for our current uncertain, often logic-free times. Her photographs are unapologetically staged and intentionally contrived, casting our current political and cultural climate as a theater of the absurd. I spoke with Stern to learn more about how this brightly colored pastiche of confusion relates to her ongoing practice and reflections on the world in which we live. 

Rachel Stern in conversation with Jon Feinstein

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PostedAugust 15, 2018
AuthorJon Feinstein
CategoriesExhibitions, Artists, Galleries
TagsRachel Stern, RISD Photographers, Columbia University MFA Photographers, art inspired by literature, studio photography, conceptual photography, performance in photography, 2018 photography exhibitions, queer photography
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Founded in 2005, Humble Arts Foundation is dedicated to supporting and promoting new art photography.